you can see all of my paintings at www.DominiqueHurley.com

The Making of “Flower Child”

I have absolutely loved birthing this child – a symbol of rebirth into a life aligned with Love, Peace, Truth, and Nature.  Here she is, “Flower Child” (48″ x 48″) – Acrylics on gallery-wrapped canvas. Click to purchase.

Dominique Hurley_Flower ChildDominique Hurley_Flower Child_direction4I’ve decided to present her to you diamond-shaped, but the fortunate art patron who brings this piece home could choose to show her in any direction – that’s why I often sign my paintings on the side.

I started working (or should I say playing) on this canvas a little over 5 weeks ago, almost as soon as I got this huge canvas home by bus.  I’d say there are about a dozen layers of paint on it, if not more.  As with many paintings, I had no idea where it was going when I started. Just to give you an idea of the process, here’s how she came into being.

  1. After the usual smudging (sacred smoke ceremony) of the canvas, paints, and myself, I hung the canvas on the wall of my newly christened studio.  With eyes closed, I simply played with paint, using my hands and warm colours.  I then added various other marks and drips.

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  2. I then used all sorts of tools to add several layers of cool and warm coloured marks all over the canvas. For some of these, I left the canvas hanging and for some, I was sitting cross-legged on the floor with it (my favourite painting position).  This is really fun – no thinking, just playing.  After that, I added a few layers of coloured glazes to unify it a bit and to cover any spots of blank canvas.

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  3. WIP_IMG_8042After gazing at this canvas repeatedly for a long time, sometimes in a meditative state and sometimes while walking past it to the laundry room (and everything in between), I finally got a sense of what it wanted to become.  Although the vision wasn’t clear, I felt the presence of woman inside a flower.  The feel was quite symmetrical, like that of a mandala – a restful, meditative state.  After an hour or so of Googling for a photo model (since I no longer have weekly life drawing classes like I did last year at the Vienna Academy of Visionary Art), I found the one I wanted and spent an evening sketching her in my own style.  It took several hours as I worked and reworked the proportions and spacings.
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  4. After that, I used an X Acto knife to transform my sketch into a stencil, which I placed in the very center of the canvas, following the diagonal axis.  I then used a sponge and white paint for the first layer (in various thicknesses, depending where I wanted more shadow) and pearl iridescent paint for the highlights (which are only visible in special lighting – shown here on the finished piece).  Because I used a sponge, some of the background remains visible, not only through her body, but in the spaces between body parts. Once again, this is my way to represent that we are not only physical, but also energy-based, spiritual being. I used interference violet for the first layer of hair.

    I then spent a very meditative evening filling the big circle with tons of little gold circles (3 shades of gold).

  5. For the hair, I used a brush to apply the magenta and then one of my many new refillable paint markers for the violet line work – great for Golden High Flow paints, which are very liquid.  Love them!  Thanks to Shannon of Urchin Art Supplies and Papery for gifting them to me for my large paint order. I then created a dark halo around the body and a light halo around the hair – dark against light and light against dark.

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  6. I wanted to add more contrast around the figure and so I spent another few hours adding dark spirals and various other patterns inside the gold rings.  I then placed some of my beloved acrylic skins to add both colour and dimension.

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  7. The fun didn’t end there. Then came the petals – several layers of different viscosity of paint applied with a variety of tools.  I worked on these for a couple of days and the painting got sunnier and sunnier.

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  8. Last, but not least, I added 3-D paint to the inner petals and to parts of the body and hair, glazed the third level of petals to be darker, painted the deep edge of the gallery-wrapped canvas so that it doesn’t require framing and retouched many of the details for the umpteenth time (because I really like those markers and it’s a very meditative process).  I’m sure I forgot to share some of the steps, but this gives you a good idea.

    *  Well, there you have it – the making of “Flower Child” – a very enjoyable creative process and art marathon – life is good!

  9. varnish timeNow, all I have to do is wait for the next warm sunny day to apply several coats of archival varnish for added UV protection.  This is the not-so-fun step and highly toxic… check out the outfit I designed for that step… Hee hee.

 

Click to purchase.

Title: Flower Child
Year: © 2014
Size:  48“ x  48 “ (122 cm x 122 cm)
Artist: Dominique Hurley
Materials: Professional acrylics & channeled energy work on gallery-wrapped canvas with painted edges. No framing required. 
Genre: intuitive painting, visionary art, energism art, spiritual art, inspirational art
Price: $7,000 CAD

 

OR

Go to my shop to see all available originals and reproductions.

 

 

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Introducing 7 New Paintings

Exaltation

Go to my shop to see all available originals and reproductions.

I’m no technical wizard (yet), but I finally managed to get through the robber’s password lock on my computer, to reload a new operating system, to erase all traces of his presence (a misspelled user name that kept popping up everywhere), to reload all my programs, and last but not least, to do some major troubleshooting that finally allowed me to open Raw photo files from my good camera.  It took me a week, but only cost me $6 for a replacement cable.  I also learned a lot in the process… Not bad for someone with a mild case of technophobia, eh?

The Painting Process:

I’ve thoroughly enjoyed my new studio. I started off by consulting my Spirit Calling Cards to come up with guiding affirmations that I painted on the wall tarp (note: I still have 8 full sets left of these limited edition gems if you’d like one), did a little dance, smudged the space and my materials, experimented without expectations – even painting with my eyes closed at times, got down on the floor cross-legged for many a painting marathon, gazed, meditated, and played with all my new supplies.  It’s been 5 weeks of focused fun!

The Paintings:

  1. “Guardian Angel” (12″ x 24″) – SOLD (prints available)
    This is the first painting I completed, and I must say, I love it.  How could I not? It’s an homage to my and all guardian angels. Their presence has been truly felt in my life, and to them, I am grateful.  There are several layers of paint and glazes on this painting, as well as evidence of the Mischtechnik I learned in Vienna (albeit in acrylics instead of oils).  Another of my goals while studying overseas was to develop my own style of drawing figures – I am really enjoying continuing that process.
    Dominique Hurley_Guardian AngelDominique Hurley_Guardian Angel_detail
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  2. Exaltation – (24″ x 36″) – SOLD – prints available
    This piece was created in the state of bliss and gratitude that carried me through our robbery experience. It was the moment-by-moment reminder that suffering only happens when we attach stories to our experiences.  While working on this piece, I was as far from suffering as I was from my missing computer.  In fact, it helped me reconnect to a state I have often experienced in recent years as I have followed my heart’s calling and inner guidance – connected to my True Self and to joy.  It helped me love what is.  The imagery was inspired in part by a greeting card I have long had on my altar – the work of visionary artist Francene Hart… the same greeting card that I saw on the bedside table of the director of the Awakening Arts Center in Italy, where I spent an awesome week as Artist in Residence in May.
    Dominique Hurley_Exhaltation Dominique Hurley_Exhaltation_detail*
  3. Dancing With My Inner Child  (18″ x 24″) –  – SOLD
    This playful piece had me journeying to sunny beaches to frolic with the waves and the wind.  Warmed by the sun, there’s a definite sense of freedom and fun here.  You’ll have noticed by now that my figures aren’t solid in nature – they’re more of a representation of both the physical and non-physical energies that make us who we are.  It’s a bit of quantum physics meets spirituality all mixed together with colour and play.
    Dominique Hurley_Dancing the Inner Child Dominique Hurley_Dancing the Inner Child_detail
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  4. The Messenger  (9″ x 12″) –  – SOLD
    This is the first of two pieces I created to honour the birds that so often visit us in our back yard.  My new environment here in St.-John’s has been such a blessing on so many levels.  Although it started much before that, my experience in the land of Saint Francis of Asisi has made me even more aware of my special connection to our feathered friends. Standing on the back deck in the last 8 weeks since I have returned to Canada, I have received many messages from the so many birds that pass through.  For example, a hawk visited us on the day of the robbery and an eagle flew by above the river the day I recovered my computer.  To me, these are all helpful messages.
    Dominique Hurley_The Messenger
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  5. Come Play – (18″ x 24″) – SOLD
    There are many mixed opinions about blue jays out there, but I think they’re gorgeous! Plus, they’re perfectly being what they are – blue jays.  No other creature can be as perfectly a blue jay as a blue jay can. What more could we ask of them…  I smile when I look at this painting. It’s not really the kind of piece I would have ever done before – but it makes my inner child smile and that’s a good thing.  It’s a “happy place” kind of piece.
    Dominique Hurley_Come Play Dominique Hurley_Come Play_detail
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  6. “Pixy Dust”  (15″ x 30″) – Mixed media: acrylics & granular gel on gallery-wrapped canvas – SOLD
    I have long loved using texture in my art and have been very excited since I received my gallons of Golden mediums and gels from Urchin Art Materials and Papery, my local supplier.  Last week, I returned there to purchase some new clay shapers since I accidentally left mine in Italy. I was then able to finish the last layer of this mystical piece using Clear Granular Gel.  Its transparency allows the rich colours of the world behind it to seep through, straight into our own auric field.  Its dragonflies are now free to travel above and below, through the pixy dust that helps us all to journey with them beyond the world of illusion and delusion. It’s hard to describe how this piece impacts me energetically and aesthetically – one thing for sure is that the greens go straight to my heart chakra.
    Dominique Hurley_Pixy Dust Dominique Hurley_Pixy Dust_detail
    If you’d like to add this piece to your collection – or start your own original art treasure chest, please contact me.
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    7.  Walking the Moon Path –  (18″ x 24″)  SOLD – prints available
    Many times over the years, I have looked up at the sky knowing that the moon I was gazing at from one location was the same moon that my beloveds could see from their location around the world. The moon not only connects me to them, but to my Self and Mother Earth- to the rhythms that make us whole.  This painting is an invitation to reconnect to all that is, inside and out, and to walk on the journey of Love, Beauty, and Truth.  I have to add that it’s also an opportunity to embrace the mystery and rejoice in our sensuality.
    Dominique Hurley_Walking the Moon Path Dominique Hurley_Walking the Moon Path_detail

There you have it – my 7 new pieces.  They’ve taken both 5 weeks and a lifetime of journeying, training, and painting to create.  I am thrilled that I was finally able to present them to you today.  I have 2 more on the go, and many more to come.  It feels so good to paint – I hope you too are finding ways to express your innate creativity.

Please feel free to share this post with your friends and family. Thank you.

Go to my shop to see all available originals and reproductions.

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Great Ending to A Great Week – Quantum Creativity and More

Well I’ve left Italy, but the adventure continues as I’m spending a couple of days near Salzburg before returning to Vienna. In case you don’t recognize the name, that’s the location for the movie The Sound of Music, which I must have seen 30 times in my life.  Interestingly, my hostess here has never heard of it.

Ananda Tidbits:

I’m very grateful for my week at Ananda near Assisi. I’ve got a few more pictures to share from my time there before I switch countries on you… plus a few interesting tidbits that never made it in the previous 4 posts I wrote about my week.

Dominique Hurley_ Italy_Ananda_DLH_5877*   I liked the doorknobs at Ananda. The button isn’t to lock the door, but acts the same way as when we turn the knob in Canada. You have to push the button to open and close the door.  The knob doesn’t turn.

*   If you see a sink in Italy that has no taps, it doesn’t mean it’s an automatic motion detection faucet. Look on the floor for a pedal – still great against germs though…

*   At first, I was surprised by the very thin bath towels that look and feel more like cotton tablecloths than  towels.  They’re highly effective, though, and sure would make traveling lighter than regular towels. Something to remember..

*   Even if Ananda was full for the long weekend, I ended up having a room with 3 beds to myself until my last night. Perfect as I get up earlier than most and go to sleep earlier too!

*    On my last night, Dana brought me to Assisi, and after a pizza dinner, I went to half the musical called Chiara di Dio (about the life and death of Saint Clare). After I had already bought my ticket, our waiter told us about a special free concert at the Basilica. Dana had already seen my show twice, so she was glad to hear of another opportunity. She went to that spectacular concert and met me back at my theatre at the intermission. The sign at the door of my show had advertised it as a one-hour show, but it turned out to be a special 2-hour performance that would have ended much too late for both of us (having started at 9:30pm), so I only got to see half. Still, I’m glad. We both enjoyed our evenings, and were thrilled to get back home to bed. I quietly entered my room, where my new roommate was soundly sleeping. I left the next morning to blog and do yoga before she woke up.  Interesting sharing a room with a mystery person. Oh, almost forgot – it was so cool walking back to our parking through tunnels built around old Roman ruins that had to be integrated into the design by law.

Quantum Creativity:

Dominique Hurley_ Italy_Ananda_IMG_7479Starting Friday, I participated in the Quantum Creativity workshop at the Academy of Art, Creativity and Consciousness. Dana basically made links between spirituality (concepts of oneness and consciousness / matter explained by monks of centuries past) and quantum physics (that I had been introduced to years ago in the wonderful movies called “What the Bleep Do We (K)now” and “Down the Rabbit Hole”). She then brought those together in the realm of creativity.

It was a great weekend. Part was theory, part was sound and movement, part was artistic exploration and expression, and part was sharing. We were only two, plus an Italian translator for my wonderful classmate, Maria Gracie. When no translator was around, however, we managed fine with Italian, French and sign language. She was a truly delightful classmate.

There were some magical moments in the workshop, culminating in the formation of an embodied mantra inspired by our collection of art. The bit of poetry below came out of that shared exercise.  I put some of my affirmations together. Each line was inspired by either one of my artistic pieces or one of Maria Grazia. After looking at one of my pieces, she contributed the line on sweet serenity that I used as my title.  This poem will give you an idea of what Dana succeeded in opening up in us through the gifts of her program.

Sweet Serenity

I am
Joyfully dancing through this journey of life,
Spinning around and around.
Letting go of all that doesn’t serve me on this delightful path.
I am
The dance of the angels –
Pure joy, pure expression, pure life.
I am fire, always regenerating.
Circles of light spiral within the ocean of my being.
I am
God unfolding within – all that came before and all that is.

As above so below
Flying high
Going with the flow

I am
Rainbows of gold – pure essence as was, is, and ever will be.
I am
A magical seed of love,
A drop from the heavens,
Surrounded and supported always,
I am
One with all that is Light.

In peace I live.
With equanimity I feel.
In Light I grow and expand.
Sweet serenity is embracing me.
I am.

Dominique Hurley_ Italy_Ananda_DLH_5982

Goodbye for now Ananda – Italy

After another beautiful service on Sunday, followed by a huge feast, Helmut easily fit my roll of canvas in his car, which has a special little hole for skis – perfect for my paintings  (see previous post for the full story on my painting project this past week as artist in residence). We had a beautiful 9-hour ride towards Salzburg, engaged in conversation about life and unconditional love the whole way (with the occasional expressions of awe as we drove through the Alps at sundown!)  I can’t believe it was nine hours – felt more like two. I may not be able to do small talk, but the deeper stuff, no trouble. Manifesting this ride for me and my painting was a true blessing. Although I didn’t see Venice  (which so many back home thought I was moving to and not Vienna), I know we were really really close. The water was mere centimeters away on the GPS.  We had to make good time, though, as Helmut had a business meeting the next day in Munich. I’m not complaining.   My adventure is far from over.

We arrived at Regine’s house in Ainring, Germany at midnight. It’s about 15 minutes from Salzburg, Austria. She had been at Ananda the week before and invited me to come and visit for a few days before I took the train back to Vienna. Great idea! I was asleep within 10 minutes and slept very well. I knew I would be spending at least a day with Regine, so I didn’t feel the need or desire to stay up any later to socialize.

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The Artist in Residence Experience – Italy

Dominique Hurley_ Italy_Ananda_DLH_5987

I remember thinking over the years that “artist in residence” opportunities out there weren’t particularly suited to my painting process. Instead of painting, I would want to spend all my time experiencing the new location with and without my camera. In fact, I’ve always been more comfortable with the logistics of painting in my own space, since my painting style doesn’t usually involve exterior references. My mostly abstract work comes from an internal connection to Source after invoking my team of guides and angels to help me be fully present with both the universal energy and all my artistic materials at hand. I was never really drawn, therefore, to artist in residence programs.

Dominique Hurley_ Italy_Ananda_DLH_6001

As you already know, however, I had booked this trip to Assisi in Italy to attend a workshop with Rassouli, an artist I’ve admired for years. When it was cancelled, I decided to go anyway. I already had my plane ticket, had been strongly guided to go in the first place, and Dana Lynne Andersen, the Creative Director at the Academy of Arts, Creativity and Consciousness, invited me to come paint for a week before her workshop on Quantum Creativity. Well, I’m happy to say that being here made a huge difference in my creative process. Whereas I used to think my art wasn’t influenced by my physical surroundings once I got in my zone, my entire experience at both the Ananda Center and the Academy across the street definitely influenced my painting – the seen and unseen.

Dana Lynne Andersen

Dana Lynne Andersen

Art for Self-Realization:

Dominique Hurley_ Italy_Ananda_DLH_5783I’ve already shown you the many foundation of layers of this week’s project in a previous post. At that point, I had no idea where this huge painting was going. I prayed for guidance and listened. The images started infiltrating my mind during yoga, meditation, meals, walks, etc. I’m also reading a book this week by Kriyananda (the founder of the Ananda communities) called “Art as Hidden Message – A Guide to Self Realization”. I resonate deeply with much of what he’s written – about the role of art in both creative expression and appreciation. He elaborates on how art is a meditation, a language, an expression of energy and a tool for self-realization. To clarify, he’s talking about art that encourages expansion and connection – my kind of art. He explains that if the artist is already in such a state, the art that he/she will create will reflect that and draw those to it that resonate on the same level or aspire to grow into it. Needless to say therefore, that as my soul expanded this week due to my surroundings, so did my art.

Dominique Hurley_ Italy_Ananda_DLH_5855Indeed, being here has definitely affected my inner state. Beauty in its many forms has lifted my soul. The focused intentions and shared aspirations of those who are attracted to this community fill the space with love. The joy that is invoked through the various practices awakens my every cell. I feel nourished here on many levels, including from the abundance of healthy food designed to enhance body, mind, and soul. All this is coupled with the sacred energy so palpable in Assisi, home of many saints.

 

 

The Design:

Dominique Hurley_ Italy_Ananda_IMG_7464The sketch I made early one morning, therefore, was filled with my experience here.

The most evident is the effect of gazing upon the bella vista of the Umbrian hills so many times a day – from the dining room, from my bedroom, on my walks to the studio. Their undulating curves and atmospheric conditions (the shades of paleness as they recede) have sung their song on my canvas. If you’re familiar with my art, I don’t usually paint landscapes, except for symbolic trees. So the hills were definitely new.

I’ve also been in awe of the sunsets here, even when masked by clouds. In fact, the weather in general has penetrated my work – both the sunny skies and daily showers. Can you see the drips in the background and on the left? The rainbow I saw one day at breakfast influenced my choice of colours – each mountain being primarily one colour of the spectrum. Those are the most obvious references. There are more though.

The graphic style of the painting was partially influenced by the stained glass windows ever so present in the plenitude of Catholic churches in this part of the world. The figure that came to me very much captures the bliss I felt during the first stages of the painting. Remember my dancing slideshow? More than that, it captures for me the Saint Francis energy– my strong love and appreciation for nature and especially for all the birds here. I have been strongly moved by their songs, especially when meditating at Ananda or during the vespers at San Damiano last Sunday. So although many wouldn’t see the connection between Saint Francis and my woman dancing with the birds while turning to the sun in gratitude, it’s there. She represents the essence of love, kindness, compassion and connection within the heart and soul of all beings – perhaps it’s also Saint Clare.

I’m sure there are other subconscious references (like moving up the chakra colours and the various states and stages of specific consciousness described in our Quantum Creativity workshop this morning), but this is enough to show that both the location and the vibration of those within my environment this week have definitely had an effect on my work. Shanti, Amen.

 

A Supported Process:

So was the entire process blissful? No. I am who I am, and so old patterns came along with me on this trip. When my painting came to its awkward teenager phase, it became hard for me to love it … or myself (like mental hiccups – not a prolonged state). I had been so happy with it before as it was growing and filled with possibility. But after covering the hills up with the rainbow colours and stepping back, my heart sank and my words followed. Luckily, Dana – who I am so glad was almost always in the space– was very helpful. Not only did she offer poetic and philosophical insights on my process and its results, such as “The destination is dissolving through the path of the journey (when I started shaping a world on top of my background), but she also gently guided me out of my occasional negative self-talk. In fact, she often offered alternative ways of framing my experience. For example, yesterday afternoon she reminded me that there is no better or worse, there’s only change. How true. Sometimes that change asks for further changes, and sometimes not. It’s about authentic expression and coming from a heart space of love and joy. Anything else creates obstacles for both my Self and my art. Dana is very perceptive, insightful, and helping people unleash their creativity is both her and her academy’s purpose. Through her several programs and certification courses, she helps them awaken higher states of consciousness and create from their center – from the inside out. Her philosophy is so in line with my own – that in itself was very refreshing. I can be a very open, loving, trusting being when I paint, but I can definitely let the doubt and self-criticism creep in “Oh why did I do that? It was so much better before! It’s ruined!…”

Fortunately, the morning after my awkward teenager came into being, our yoga was followed by a purification ceremony very similar to what I had experienced in the shamanic world. The temple was quite full that day as many from the community had come for the Thursday 2.5-hour meditation. I was partaking in a shorter session of yoga/meditation/chanting downstairs. After that, however, we joined the others. We wrote down a negative pattern we were ready to let go of on a piece of paper, asked God for help in releasing it, invited a channel to help us do so by opening ourselves to the Grace of God (he/she placed a finger on our heart chakra and conducted energy through a blessing of the masters – sort of like communion). We then burned the paper while bowing in thanks. Beautiful – I knew exactly what I was meant to let go of. After all, I had invoked God, the spirits of the place, and my celestial committee to work through me on this painting, and so judgment emanating from my lack of faith could only impede the co-creative process. The blessing ended with the statement that we were free. I could feel it – much lighter. Having returned to a state of non-attachment and trust, it was much easier to feel (not through drama, but through calm intuitive knowing) what was being called for next with every layer. The experience became much more joyful then and my process felt very supported – on many levels.

When you consider that it took 5 days to create this huge painting (and a lifetime to bring me to this point of course), I’m absolutely thrilled with the results.

 

Getting it Home

By the way, I never worried about what I was going to do with it once it was done. Again, the experience of creating it was the most important thing for me. I’d even considered leaving it behind since bringing it on the plane would incur significant additional costs. Total non-attachment. I’d surrendered to all possibilities and felt no need to control the details (believe me, that’s not always how it is being a super organizer with a very strong left brain). Early on in the week, however, a solution was presented to me that felt perfect. One of the guests, Helmut, prolonged his stay and is now leaving today after Sunday service to drive to a business meeting in Munich, Germany passing by Salzburg in Austria. I’ll be joining him for a drive through Italy (yay! road trip! Plus I enjoy his company, so it will be great) and am welcomed to stay at a previous guest’s house near Salzburg for a night, so I can spend time visiting that famous and scenic city. Truth be told, I had been singing “The hills are alive with the sound of music” since arriving in Umbria and even thought, in the week before, that it would be nice to visit the beautiful filming location of that movie before my return to Canada. I just didn’t know how to make that happen with less than a month before my departure and so much to do). Regine was here at Ananda when I arrived, but left earlier this week. My new plan feels quite magical and Helmut’s BMW has a special feature that allows for skis to go from the trunk to the front – perfect for my long roll of canvas! From Salzburg, I can easily take the train to Vienna and there’s no extra charge for the rolled up painting. I also avoid having to take the train or bus back to Rome. I may be forfeiting my return plane ticket, but there won’t be any additional costs. Again, wonderful manifestation.

Dominique Hurley_ Italy_Ananda_DLH_5985 Another One?

So – would I recommend the artist in residence program here? Absolutely. The whole set up both at the studio and at Ananda were in line with my personal, artistic and spiritual aspirations. The setting is so conducive to creativity (see previous post). How could I not create something that resonates with my soul’s calling. I would definitely come again if the opportunity presented itself. I may even end up going to the Awakening Arts Center Dana is opening in Portland, Oregon as part of the Ananda Center at Laurelwood. I’m open to the possibilities.

Thanks to all those I met here at Ananda for contributing to this work of art. You’ve made a difference!

 

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Breathing, Stretching, Creating & Eating in Italy

Dominique Hurley_ Italy_Ananda_DLH_5464

I’m taking a break to chat with you while letting a layer of paint dry.  The flames of the pellet stove beside me are keeping me warm while the symphony of rain on the tin roof and thunder all around stirs my soul.  Lunch is in an hour and by then Dana and I may have a dry walk back to The Refuge at Ananda Ashram from the Academy of Art, Creativity and Consciousness, 3 minutes down the road (or 20 if you take your camera with you for a detour through the woods).

Dominique Hurley_ Italy_Ananda_DLH_5561All I can say is that what I’m living here is what I could see myself living on an ongoing basis.  Up at 5am, shower, yoga/ meditation in the temple from 6-8:30am (various choices), delicious breakfasts in silence while looking at the vista of Umbrian hills and valleys, painting all day with breaks for lunches, suppers, reading, blogging or photo editing, gorgeous sunsets from the dining room or my balcony, quiet evenings by myself (was alone in my “shared room” for 3 night now) or in community (spiritual cinema, prayer, etc.).  I am so grateful to be here.

Now for some details.

YOGA:

Dominique Hurley_ Italy_Ananda_IMG_7438I was very lucky on Monday as I was the only one to show up for 6am yoga.  The teacher therefore taught the class in English.  Yogananda’s energization practice was, according to him, his unique contribution to yoga.  As it was different than any of the yoga styles I’d experienced before, getting English instruction was definitely beneficial.  I followed that up with another class at 7am that included energization, meditation and chanting.  The ashram had arranged to have a translator there for me.  What service!  She stood behind me the whole time and, in her soothing voice, translated everything and corrected my postures if she spotted something off.  The teacher, by the way, could be the twin to my friend Jackie in Saskatoon – from the hair style, facial features, smile, body style, to the fact that she’s a yoga teacher too.  I felt right at home.  Maria, the translator, came back again on Tuesday to help a few of us out.  By Wednesday, I understood the series of exercises better and class was in English anyway. After yoga, I only stayed for the first 45 minutes of silent meditation (although my mind could have used more quietude… not a master at meditation yet). I may do the full hour and a half on Friday. Tomorrow, I’ll do the 7am mixed session again to give me time to write/edit photos first.

MEALS:

Dominique Hurley_ Italy_Ananda_DLH_5301

After 2.5 hours of yoga, however, I am super hungry and eat more than I ever would if I were having my usual 5am breakfast.  On Monday morning, I tasted peanut butter for the first time (except in cookies or satay sauce).  I know… I’m strange.  I’ve never tasted coffee either.  I’m just not a typical North American.  Anyhow, this was a huge bowl of obviously homemade stuff and it was warm. The bread looked good too even if I’ve never been a bread fan either (lucky thing as I try to eat gluten free). Anyhow, I liked it, but wouldn’t choose it every day.  On Tuesday morning, I was surprised to find chocolate cake along with the porridge and fixings… not sure which yogic principle that follows, but it was great.  I was starved, but it waited for me an extra 15 minutes as I ran outside after bringing my plate to my table. I simply had to chase the rainbow that appeared in the sky.  I got it with my iPhone (can you see it?), but by the time I ran to my room to get my good camera, it had faded.

There’s always a variety of vegan and vegetarian choices at every meal, including plain steamed veggies and rice for those on special diets.  There’s usually a salad buffet and a hot food station:  risotto, cauliflower purée, pasta, soya meat stew, bruschetta, various soups, etc.  Breakfast is in silence for the first half hour before a brief reading, lunch starts with a blessing and can be quite plentiful and social.  Dinner is in silence and lighter in nature.  It’s all healthy and prepared for me – such a blessing!

ARTIST IN RESIDENCE / ACADEMY OF ARTS, CREATIVITY & CONSCIOUSNESS:

Dominique Hurley_ Italy_Ananda_DLH_5268I love it!  I could stop there, but I promised details.  When I first walked into the Awakening Arts Center on Monday, I discovered something about my relationship with my camera.  The gallery part of the space was so beautiful aesthetically and energetically that it overwhelmed me in its offerings.  I almost immediately turned to my camera to help me navigate the space. It helps me to zone in and appreciate the details – to slow down and see and feel as I move along.  This is a different way that this beloved tool helps me be fully present in the here and now. When I mentioned that to someone in the community, he offered some interesting insights from his own teacher/swami. He offered that tools and techniques are good, but our goal is to eventually not need them anymore. I wouldn’t want my camera to become a crutch, but for now it’s a blessing. Eventually, I’ll be able to achieve the same equanimity and presence in a space that once would have overwhelmed me without tools. I enjoyed the conversation. I also enjoyed my tour around the gallery – my favourite pieces were the digital works on metal by Dana Lynne Andersen, who runs the place. So many, however, appealed to both my eyes and my heart.

After about half an hour in the gallery, I realized that the space behind the frosted glass doors was not Dana’s apartment, but the studio space.  What a great space it is.  Since Dana loves painted floors, it is very freeing to have complete freedom to splatter them with paint without worrying about making a mess.  I’m so used to being careful…  no need here.  Yay!

Dominique Hurley_ Italy_Ananda_DLH_5265

Dana had prepared a big canvas for me to play on.  After I swept the floor, I used my pendulum to clear an uncomfortable spot I had felt in my designated area. I then called in my heavenly helpers and blessed the space and canvas with palo santo smudge and cat love. Stella was quite adamant about being part of the creative team.  My heart smiles every time I see her.

Working this large on an unstretched canvas is totally new for me.  Some really cool things happened before it all became one colour on the first day as I overdid the pouring, lifting and folding with warm colours.  No worries – it was only the first layer and all part of the process.  I quickly had to remind myself that I had asked to be a channel to God, my guiding spirits and angels and so it wasn’t my place to judge.  Instead, I got back into a space of total trust.  After decades of painting intuitively, I’ve learned the value of stepping out of the way.  Where the paint was puddling, Dana suggested putting plastic on top so that by the time it dried, tearing it off would create ridges of texture while uncovering previous layers of colour.  I saw what it did on one of her paintings, but I’ll need to press down more next time to push the paint out to the edges.  New trick – cool!

On Tuesday, I got in there with the cool colours and started mark-making.  I love this stage – it’s all about colour and layers – no thinking, no planning, no knowing where it may go from there.  I find that stage so much easier in painting than in life, but I’m getting there with that too.  Layer upon layer, dancing, standing back and listening for what is being called for next – very enjoyable!  It’s a wonderful way of painting and having the canvas up on the wall makes it easy to have my whole body involved, not just my wrists and hands.

Dominique Hurley_ Italy_Ananda_IMG_7450Part of the pleasure of working/ playing here, in addition to the space and energy – is that Dana and her daughter Rachel have been wonderful hosts and assistants.  From afternoon snacks of gluten-free toasts with almond butter and jelly to freshly squeezed orange juice, I am served like a queen (and you know how I like that).  Also, if I need anything or want help, they’re glad to jump in.  The whole philosophy here is about love and awakening to our higher consciousness.  I can feel it in many facets of my experience.  The 250 Euros I’m spending as a fee for being artist in residence for the week is going to supplies and so I’ve got access to all sorts of paints.  Fantastic! There’s a great feeling of abundance here.  The sun even came out just in time for my lunchtime walk to the dining room and the rain only began again as I was walking back up the driveway to the studio.  Cooperation all around!

Time to stare at my canvas again to see what it would like. It feels like a very happy piece – my favourite kind.  Let see where it goes from here… this is just the foundation layer. I’m open to inspiration and I know it’s on its way. It’s inevitable in a place like this!

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Oh – and while waiting for another layer of paint to dry, I wanted to create one photo that captured the feeling of elation from this stage of the painting process. Instead, I present you this slideshow (viewable only on the website, not in email subscriptions, so click on the blue post title at the top of your email to view post online).

I’m having a wonderful time – what a blessing indeed!

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“Eye of the Spirit” Painting Week in Bali

My week in the Eye of the Spirit Visionary Art painting group with Philip Rubinov Jacobson, Mantra Cora, and Wolfgang Widmoser is over. It’s been quite the week with lots of highlights and lowlights. I’ve decided to share both as they’re all part of MY story. I’m sure it was different for everyone.  I don’t regret choosing to attend half this workshop, but I was ready to leave this morning.

Dominique Hurley_ Bali_Arjana_DLH_2586There’s a lot to say after a week of not blogging. I also didn’t take many photos of the workshop and participants –  luckily, Ashley Christudason, one of my classmates, was really into taking pictures and graciously allowed me to use some of his for my blog. I’ve identified those sections.

Arjana Bungalows 2 & Neighbourhood:

For $18-20/ night, this place is a good deal. Sure, the rooms lack the charm of my other locations (any charm, really), but it’s got its pluses:

  • nice big swimming pool for daily dips– I liked the occasional floating limes and frangipani flowers from the abundant trees around it.
  • spacious rooms with floor space for yoga, good fans, and laundry racks on the veranda. I didn’t mind the old stained and shredded bed linen, but wasn’t fond of the musty towels, even when freshly replaced. Interestingly, unlike other places in Bali that ask you not to flush your toilet paper, this place only has one garbage outside the cabin, so there’s really no option but to flush. It felt strange after 3 weeks of not doing so (unless I forgot, that is … especially in the middle of the night).
  • nice big breakfasts – since I don’t like eggs unless well hidden, I had their banana pancakes in honey syrup and fruit salad every morning. Delicious! – not ayurvedically recommended, but delicious!   I didn’t get my usual earaches from these bananas and actually found them quite delicious after years of not enjoying bananas. Actually, my tummy was quite happy until this morning when things weren’t quite…. normal. That could very well have to do with the fact that I accidentally drank the water for our paint brushes (stored in normal water bottles that I distractedly left on my table, where my own drinking water with electrolytes usually is).  After a few sips, it dawned on me that it didn’t have the usual lemon flavour, and so I went to my room to take a double dose of grapefruit seed extract.  Perhaps 2 doses of that and 2 doses of acidophiles could have had that effect too.  Anyhow, they tell me their water is well water and should be OK.  It may be even better than the big tank of drinking water at reception that comes out of a very dirty mossy tap…  Whatever the case, I’m fine now – I hope.
  • the staff knows your name and although they don’t all speak English, they’re friendly and helpful.  The owner/manager? wasn’t too friendly though – more on that later.
  • the breakfast room (open pavilion) that we took over as a studio was very conducive to painting, even during storms (loved those).  I confirmed that I enjoy working on the floor or tables much more than on an easel.  That pavilion is also the only location for wi-fi, when it’s working. My computer wouldn’t hook up to it though after the first day for some strange reason, so that helped me relax on the blogging and picture-taking and be more present to paint;
  •  Arjana 2’s location next to the rice fields was ideal – my occasional morning walks nourished my eyes and soul. All that green!
  1. Early in the morning, I would get to see some of the locals working in their fields and picking coconuts (you have to be hyper-vigilant though because if you don’t see the men climbing the trees or hear them rustling up there, you may get a nasty surprise when branches and coconuts start falling from the sky. That could kill you! I also now understand how one of the men who was cremated last week (see a previous blog)could have fallen out of a tree. Seeing them climb barefoot, with or without a makeshift rope around their ankles, is quite amazing).
  2. I finally got to see a duck! Sounds strange, but I had been wanting to all week. From our studio, we could hear a whole bunch of them in the rice field across the way, but I never saw them. One morning I stood on a path, listening to them quack away and splash in the water of the rice fields, looking at the green stalks swoosh back and forth, until finally, one poked out to go to the next row and disappeared again. Yay! Mission accomplished!
  3. On the last morning of class, I recruited Shia, one of my classmates, to help me with a photo shoot project. I wanted to participate in Kaliyana Artwear’s Facebook travelogue, and so I put on her anti-suit and went strolling through the rice fields. I’ve worn Kaliyana clothing for over 20 years and have 8 pieces with me on this trip, so it would have been a shame not to do so. Hundreds of photos later (all before 7:30am) and a few near-falls into the wet paddies, I have a few that I’ll submit. Thanks Shia! Oh – can you find the blooper?
  • Although at the end of Kajeng Jalan road, away from main city roads, it’s not as quiet as it first appeared last Sunday when I wrote my last blog. The noise level went on boost as of 8am on Monday. Luckily, I’d been up for hours, but if you like to sleep in and are considering Arjana Bungalows 2, be aware. First, there was the megaphone announcements somewhere nearby. Next there’s an open-air school pavilion right next door and the children were being worked through drills and songs with great enthusiasm. Then, there was the constant stream of motorcycles revving up the little hill right below our classroom. After the true quietness of my other 3 retreats, this was very noticeable. Not a huge deal though. If you’re a good sleeper or higher up in the resort, that won’t be a problem. I could still hear the natural concert of creatures morning and night – something I’m sure to miss when I leave Bali.
  • There are lots of little restaurants nearby on the small road to town. Cheap too – finally the $2-3 meals I had read about. The quality plummeted, however, when we ordered take-out for lunch from some of them and had it delivered to the classroom. Suddenly, Roda’s rice noodles were dry and without any vegetables …so sad. Packaging was always intriguing.  Some ordered juice, which came in a plastic bag, same as curries that you would pour over the rice on the banana leaf on a paper stapled at the top.  The whole dine-in experience was simply better.  Still, I admired, their efforts to not use too much plastic.  When we got one in Styrofoam, that didn’t feel so great either.  Ah, there’s no pleasing foreigners.  🙂
  • Close to downtown: After a few days, however, I got bored of eating nearby and going to bed at 7 or 8pm. I decided to venture out since we finished at 4 instead of 6pm. It’s only about a 5-10 minute walk to the end of the street where the noise, traffic, and people of downtown Ubud are plainly evident. Our bungalows are well situated that way. Wow! So many taxi drivers and vendors wanting your business! I had avoided the busy-ness of the city for most of the month, so it was interesting to explore, once I was in the mood. The market was nearby and so many shops. I only went into one to buy a token Bali souvenir clothing item – a black and green dress bargained down to $10 – in a pattern I’d seen before and found very attractive. Love it! That was enough shopping for me. On Wednesday, I wanted to walk back before dark because even though there are sidewalks in places here, they’re quite treacherous. The sewer grates every 10 steps are big enough for your foot to go through, if the grate is there at all. Then there are the gaping holes between lifting tiles, etc. I saw a few tourists on crutches and wondered if they’d injured themselves simply walking around. Crossing the street is even trickier – especially if you forget that they drive on the opposite side than in North America and can be 5 deep on what you think is a 2-lane street. The next night, I decided I was awake enough to join the group for a later dinner, but no one in town seemed to know the restaurant by name. So I let go of any attachment of finding them and just wandered the streets, following my intuition, and ended up being the first one there. We had a nice dinner together and I walked home with one of the girls while most of the others went out dancing and drinking, as they did most nights. I prefer getting up early to do some yoga, swim, or walk in the rice fields. There’s lots of options no matter if you’re an early bird or a night owl here in Ubud.

EYE OF THE SPIRIT:

Let’s start with the great.

I’m so glad that I was able to ease into this group after they had already been together for a week. Arriving on Sunday and socializing with a few was a good thing as people were focused on their work on Monday and it would have been quite different had I met everyone then. There were some very lovely beings in this group creating some very beautiful and powerful work. I am grateful I could be a witness to all that.

Ashley_ Bali_Arjana_IMG_4156I’m also actually amazed with what I created. I wouldn’t have been able to do so had I not had 6 months learning the Mischtechnik at the Vienna Academy of Visionary Art. That’s for sure!  Because of the short time and the heat and humidity, we used several coats of underpainting in acrylics and then only the final glazing in oils and final highlights in tempera. I had planned to do the whole thing in acrylics to see how it compares since that’s what I’d like to keep working with once I get home. By the end, however, Phil and Ashley gave me some of their oils so I could try those out. I was repeatedly told that we just can’t achieve the same results with acrylics. I may convert to oils after all. I reserve the right to make that decision later. The idea of doing just one layer of oils instead of all of them with long waiting periods in between is already more attractive. We’ll see.

Here’s what I did on Day 1.

1 –used a sketch I had designed in Vienna as my starting point.
Dominique Hurley_ Bali_Arjana_1_IMG_69652 – used pencil to draw it on my gesso board and then waterproof blue ink on top.
Dominique Hurley_ Bali_Arjana_IMG_69493 – used carmine red and a bit of burnt umber acrylic paint with medium and water to do a wash on top – 3 coats in different directions.
Dominique Hurley_ Bali_Arjana_IMG_69514 – used white acrylic paint to put in the highlights.

Dominique Hurley_ Bali_Arjana_IMG_69525 – got Philip Rubinov to help me correct the raccoon eye…. (notice that I got rid of the second one behind some hair? I couldn’t get it to work freehand).

Dominique Hurley_ Bali_Arjana_IMG_69556- used a primary yellow acrylic wash to glaze the whole thing.

Dominique Hurley_ Bali_Arjana_IMG_6958 7- went back in with the whites.
Dominique Hurley_ Bali_Arjana_IMG_69618 – used burnt umber to do the shadows.
Dominique Hurley_ Bali_Arjana_IMG_6963 9. Used whites and darks with my fingers to apply texture to the background.

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Here’s what I did during the next 4 days:

I did as much as I could on my main painting in the first 3 days for it to dry on time to take away. There’s still more I could do with the hand and face to bring back the highlights I lost with my oil glaze. I’m not sure I remember all the steps as I didn’t take notes after Day 1 (I really let go of blogging), but I applied washes of acrylic colour on everything. Then I did a glaze in oils to feel the difference… not convinced yet. Philip then sat down with me to show me how to use oils on the veil in a way that I’ll admit, wouldn’t be possible with acrylics. Philip really knows his stuff and I definitely learned from him during our short chats.  I also got a glimpse of how good his how-to lessons could be, especially if delivered a little slower.  He gave a quick lesson on how to draw a face for the whole group, after I requested it. It added to what I had learned from all the others I had made the same request to.  I was just glad that everyone else also encouraged him to slow down.

I also finished my 2 other abstract paintings after a couple of days of working on them before and during group time. One changed a lot – I liked it better a few layers back, but am glad I dove in and tried some of the techniques Mantra had demonstrated, even if they didn’t quite work on my already very textured grounds.

Bali Showers:

As Yet Unamed – any suggestions?

In addition to her demonstrations, Mantra shared her knowledge on Max Ernst through a Power Point presentation – similar yet different to the one I had heard in Austria. Although what she demonstrated wasn’t new for me, it was a great reminder.  Mostly,  it was wonderful to witness some of the other students light up at the freedom of expression possible in this less traditional way of using fluid acrylic paint. Mantra was definitely the go-to person for abstract grounds. She also had an amazing smile that came out through her eyes. These photos are all by Ashley.

As for Wolfgang, he was great to consult on colour. Although I didn’t resonate with his way of delivering information – philosophical and technical monologues without any visual examples – he was helpful when presented with specific questions about a painting in progress and was key to some of the decisions I made for my more abstract pieces. He’s obviously a wealth of knowledge, artistic skills, and spiritual journeying – he’s a very valued mentor to Katia, so I know there’s so much more than what I experienced during our few short hours together.  He provided an abundance of links to videos and other resources on our Facebook group – I look forward to exploring some of those in the upcoming months. By the way, he studied with Ernst Fuchs and Salvador Dali, so definitely connected to my world in Vienna. I’m sorry I missed the visit to his studio the week before.

Last Day:

On our last day, we had a friendly constructive feedback session. The artist would walk away for a while and we discussed the strong points of their work and things that could be stronger. One person would record the comments and then report them anonymously upon the artist’s return. This was done very well and turned out to be very helpful. I got a lot of feedback on my voice/delivery, a reminder that I would enjoy voice acting …  something to look into again when I get back to St. John’s.

Most people weren’t finished their pieces and so these comments will no doubt help in their process. Some of my painting buddies had been there for 5 weeks. Most had only been there for 2.  Some only showed up occasionally. Some worked late nights and early mornings in addition our days together. So everyone had work at different stages and we shared it all during our feedback session.  My iPhone didn’t do a great job with these photos, but it will give you an idea of the variety of styles and expertise. Some had been drawing/painting their whole lives while one participant painted for the first time in this workshop. I was definitely impressed by these artists!  Although I was only there for a week, I could easily see that our program was well suited for artists of all levels.  You could get as much or as little as you wanted from it – depending how dedicated you were to your work and how proactive you were in seeking help and advice. Overall, people seemed quite happy with their time here.

 

Dominique Hurley_ Bali_Arjana_IMG_7073After clean-up, we all went to a really fancy dinner with open pavilions overlooking small rice paddies – the Dirty Duck Diner. The food wasn’t very good and quite inconsistent (between folks who ordered the same thing). Their prices were expensive, but the atmosphere was superb. I went home right after, at 10pm, while the others went dancing and drinking at what they called the mushroom bar.

Alas, some lowlights:

The reasons I experienced challenges this week with external factors is that I’ll admit, I’m too sensitive. I take a lot in and need to learn to remain in a state of equanimity despite my environment. That is my lesson. For once, however, my difficulties had nothing to do with my internal art learning process. I’m not sure if it’s because I’m more mellow after 3 weeks in Bali or if it’s because I wasn’t attached to the results – but I worked quickly, loosely, and without the usual psychological baggage around drawing. Yay! There’s progress.

Still, I experienced definite challenges.  As an events organizer by background, the contrast between my week here and my week with Flora Bowley was significant and started before I arrived, highlighting my own preferences.  For example, I found it inconvenient to have to hunt for and bring a long list of supplies (many of which simply couldn’t be found in Vienna, adding to my pre-travel stress). Flora charged us more, but I didn’t have to deal with any of those logistics during my very busy weeks before arriving to Bali – which overall felt much easier). I understand the reasoning behind both approaches, but the differences in my experiences is helping me identify what works for me.

There were much bigger issues than that though, some of which were in the control of the organizers and some not.

  •   Environmental Discomfort: almost everyone in the group chain-smoked – a real shock to my system after 3 weeks with almost zero exposure. This week, however, I became a smoker – there was just no getting away from it. I also witnessed ashes falling on other people and on/near artwork. I’d say I did pretty well under those circumstances – didn’t let it affect me too much after the first day. In fact, I chose not to say anything about it – my choice.  I figured the comfort of the majority was more important and, having joined half way, it was up to me to adapt.  There was also alcohol in the studio – but I’m in no position to say if that helped or harmed. It was just different.
  • Dramatic events in our creative space:  I’m so used to my studio being a positive sacred place for personal and spiritual growth – something that was continued in Vienna and also in Flora’s workshop. All the drama and negativity here were hard to handle (although also useful for my growth, I’m sure).
  1. It started on Monday when one poor gal collapsed after spending the previous day doing water sports and suffering what she thought was hypothermia – she was helped back to her cabin for the day. Thankfully, she returned the next day healthy and strong. This is where being so empathic doesn’t serve me… the drama was in me – I recognize that.
  2. Then, there was some talk about a participant who suddenly left half way through  (before I arrived). I purposefully kept my curiosity out of it – none of my business, but it made me aware of tension and gossip.  Other personality conflicts became apparent towards the end of our week together – again, hard for me to witness as I feel too much for all involved.  Fortunately, the overall feeling between participants was loving and harmonious. Wonderful bunch!
  3. Also on Monday, while we were attempting to get into the flow of painting, there was a lot of business dealings being conducted in the studio, including conflicts between the organizers and the hotel manager about money, rooms, etc. This was followed by lots of complaining between the various organizers.  At one point, it looked like we were about to be evicted from the studio. It was done relatively quietly, but next to me. Being a context dependent learner, I couldn’t tune it out as it went on for hours. I should have brought my earphones. From my overly sensitive point of view, it was ugly – right in the midst of our creative space. I wished they had done so out of the studio. I had been so spoiled (ie sheltered) in previous weeks that the negativity and questionable business practices in my new home were surprising. At one point, I just left my station and had to sweep myself energetically, only to find another girl doing exactly the same thing. This led to a beautiful conversation and a change in the energy.
  4. The week ended the way it started with more conflicts to do with organizational issues that I won’t get into here. I just hope all works well for everyone in the end because it sure was uncomfortable while I was there and I hear the story isn’t over.  Indeed, I pray it all gets resolved quickly and smoothly.

As part of this story, I learned about the seedier side of Bali. I learned about Kuta-cowboys. I couldn’t help but be a little curious this time.  It turns out that one of the participants from the previous group had been dating a local Balinese who had tried to blackmail our organizers. From what I was told, Kuta cowboys are men who displace their wives to other villages while they basically service foreign women, taking them into their villages and families. Everywhere they go (shops, restaurants, etc.), they get a cut of the profits as commission. This one turned out to be really abusive and crazy. I didn’t want all the details, and tried not to imagine them. He tried to blackmail our organizers though and threatened them.  This could have led to some of the trouble still affecting them.  This is certainly a side of Bali I hadn’t seen or heard about before. Kuta is the big party beach town that I’d been warned repeatedly to avoid – also where there was a terrorist attack a few years back.  Not my kind of scene, as you may have guessed.

Fortunately, I’m now at another beach town near the airport that doesn’t appear to have Kuta’s bad rap or crowds and am not in the market for a Bali cowboy.  I’ll write about my new home later. I’m sure this is enough for one post.

If nothing else, writing about both my highlights and lowlights has helped me process my week.  Again, I don’t regret my decision. I was meant to experience all of this. This blog is just as much my journal as anything else – authentic in all my human-ness.   Obviously, I’ve got so much further to go to live harmoniously and with equanimity in this world. If I had reached a state of pure unconditional love, nothing would phase me. I would not re-act or experience fear in the presence of conflict.  I’m not there yet.  It is still my intention though.  Indeed, this is all part of my process of exploring and expressing my love of beauty and the beauty of love…

More photos by Ashley:

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Painting and Healing in Bali

Dominique Hurley_Bali_Swasti_IMG_6803THE FINAL DAYS OF FLORA BOWLEY’S WORKSHOP:

Our Flora Bowley Bloom True Ubud workshop has come to an end… at least this chapter of it. Part of the group is continuing on with Nicole Lawrence for the extension week – a decision I’m very glad I made. Originally, we were only 2 signed up, but 4 others have now joined. I already know it will be a great week.

The last few days with Flora were wonderful – I’m not saying they were always easy. After all, I brought myself to the process, and so I was bound to come up with challenges (internal and external). On Saturday morning, Flora even said to me “this really isn’t about formulas or systematic steps, Dominique. Just throw all that out and play – have fun!” I can easily do that in my own studio when in the flow of exploration and connection. Here, however, I had really wanted to try out (and succeed) at using whites and colours at the same time with the sponge brush in a way that would keep those colours bright. This year has been all about whites (and drawing, of course)! I’m so not into pastels though. When I tried this technique during Flora’s e-course, despite watching her videos over and over, I kept getting washed-out colours and painting the fence. Anyhow, Flora was right. I was being too systematic again. I wanted to do it right, when in fact, there are no mistakes in this process. So I lightened up a bit, and kept at it. I even got her to show me exactly how much white and colour she puts on her brush at the same time. Just watching her for 1 minute on my canvas helped a lot. I definitely learn by watching. Sure, it took a few more layers as I kept covering all the whites up again with my usual vivid colours, rendering the lotus 2-dimensional once more (vs. having it pop out a bit from the canvas). By the time our morning together was done, I was quite happy with this piece. I had chosen a very simple design so I could focus on my goal – not think about composition or anything else. I’m glad I pursued it. I’ll admit though, I had a bit of a hard time just playing and having fun (the heat didn’t help, but I took care of myself).

  • canvas 1: continued from previous days

My other two canvases are still very much in progress and I’ll continue them in my other 2 workshops.This second canvas garnered a class cheer because Flora finally saw me go totally free and loose.  In her opinion, it’s finished.  In mine, there’s a long way to go.

  • canvas 2:  continued
  • canvas 3: new and also still in progress

I know I’ll be transforming this one completely…

Many participants had works still in progress at the end of the day, but we lined them all up and spent time honouring them and their creators before breaking for lunch. You might see some similarities in the styles, but it was beautiful to also see the uniqueness of everyone’s voice. That is also one of the themes we’ve explored this week. It’s not about painting like Flora. It’s about learning to be free in our expression and to find our own voice. Having painted for 20 years, mostly self-taught and without paying much attention to other artists’ work, I feel I’ve already developed my own voice. This year of education, however, is like taking singing lessons so that I can fine tune and expand on my skills. After I get back to Canada, though, I feel like exploring on my own again – without so much focus on what’s happening out there in the art world. I want my art to continue being an expression of my own unique voice as I communicate with Spirit –  that will evolve as I go even deeper into my own artistic and spiritual practice. Yay!

  • Class’s finished works and works in progress:

I only had my iPhone and the sun was so bright, it was hard to see what I was taking pictures of on the screen. I’m afraid I don’t have everyone’s work, but this gives you a great idea of what we’ve been up to.  Many worked extra time during our breaks and evenings, and so you’ll see that many are indeed beautifully complete.

  • My favourite:

I must say, it was truly inspirational to watch Liane Worth work. This was the first time she had used a figure on a painting (one of my goals).  Her final pieces truly moved me – took my breath away a few times.  At one point, I thought (didn’t say!) “No! you’ve taken away what I liked” and then the next time I turned to look, it was even more stunning than before.  Nice reminder!  If I had a home and was in the market to buy work, I would add these 2 pieces to my collection.

Flora’s piece:
Of course it was always great to see Flora work.  She too went through an array of emotions and worked her painting through the awkward teenager phase.  She was very open about this as she was about the whole process.  She’s a great teacher.  In the end, she was very happy with it and it was purchased by one of the participants.  Perfect!

PITTA OUT OF BALANCE – Ayurvedic Consultation:

As for letting go and just playing – I have my good days and days when I require a bit more self-love to allow that to happen. I found out that this is very much a trait of my Pitta constitution, which is currently way out of balance. Right after our morning of painting, I took advantage of our proximity to Amrta Siddhi Ayurvedic Health Centre – right across the street from Swasti Eco Cottages. People come from all over to be treated here over a period of 3-10 days. A few people from the group had reported good results for various ills. I had already heard a lot about this traditional Indian medicine – one of the oldest in the world. In fact, I trust its foundation on a complete understanding of the human being.

For over an hour, the young doctor from India questioned me and looked at my tongue, my pulse, and my eyes. The main reason I went was for my eczema, which in the last year has seriously affected my hands and in the last 6 months had spread all down my legs for the first time in my life. As many practitioners of various kinds have told me, I have too much fire in my body. I’d heard some say it was like I had a volcano inside and if I only treat the skin in one area, the volcano will find another place to errupt.  In the Ayurveda system, I’m mostly a Pitta (fire) dosha, with a bit of Vata (air, space) – these describe the forces that help a person function since birth. The latter is all about movement (no doubt my love of variety and travel).  When in balance, the former is all about transformation, organization, leadership (I recognize myself in that). People with pita are usually of medium build, have sensitive skin, and dislike being told what to do. When out of whack, as mine is, some of the results are skin issues, irritation, and an excessive need for control (yup, guilty). This imbalance affects the whole endocrine and hormonal system – digestion, metabolism, and energy production.

Dominique Hurley_Bali_Swasti_IMG_6853 copyThe Ayrurveda system addresses these imbalances through various natural medicine, as well as lifestyle and diet changes. It turns out that I’m already doing many things that are in line with my constitution – a relief after so many years of focusing on my health and lifestyle. Obviously, however, more changes are required. I’ve got enough medicine – 6 kinds to take before/after meals, and before bedtime – to last a month. I also have a list of do’s and don’t’s in terms of diet for my particular constitution. Can you guess what the worst dietary thing is for a Ptita? Dried, salty, deep fried things … so much for being a chipaholic…  The strangest thing on the list of things to avoid for me was brown rice. Pittas should eat white rice, not brown. Now that goes against what I’ve learned and practiced, almost daily, for the past couple of decades. I’ll certainly give it a try to see if it makes a difference. On the plus side, Pittas should never fast and should satisfy their healthy appetites (yay!), but should eat their last meals before sundown (a bit tougher at certain times of the year).  I could go on, but I won’t. All this to say that I’ve taken both my astrology and angel card readings to heart when I was advised to take care of my health this month and pamper my body with what it need. It’s all about balance.

The fascinating thing for me is the reinforcement of how much our minds and bodies are linked when it comes to health. I’ve gotten used to the fact that what we think and feel affects our physical health. Today was about recognizing how our physical imbalances can affect our ways of being in the world – my excessive need for systems and control at times (what Flora commented on that same morning) can simply be a result of an imbalance in my Ptita constitution. Interesting, eh?

HEALING SPRINGS

Dominique Hurley_Bali_Swasti_DLH_9888There’s been a lot of focus on healing here in Bali. A week of peace at the ashram, self-care and spa treatments at Swasti, etc. Thursday’s group visit to a sacred healing spring was certainly one of the highlights in that area. In fact, I think this might be one of the highlights of my trip to Bali. It was very powerful. We were asked to set out on our afternoon with an intention. As our convoy traveled past the nearly deserted streets of tourist shops and rice fields and up into the mountain, the sky got darker and darker. By the time we arrived, it was pouring rain. Most got out of their dry clothes in the parking and wrapped their required sarong around their bathing suits for the long walk down the stairs to the various stations of this sacred Hindu healing spring. First, we arrived at the 3 fountains of the 3 main Hindu gods – Brahmā, Vishnu, and Shiva. We prayed and poured water over our heads with our right hands.

Down another long series of tall steps, we arrived at the second site, where we knelt or sat on our shoes with our offering and burning incense in front of us. We then said 5 prayers, the first and last with our hands in prayer position at the third eye. For the other 3, we held one of the flowers in our hands. I was always last, with my camera in hand, so I managed to take a few pictures of every stage before joining the group.  This was bit challenging with my umbrella and stuff, but there was something magical about being there in the rain. An extra blessing.  Plus I could much better avoid heat exhaustion or sun stroke that way, so I was very grateful.

The last station was the sacred spring. First you walked bare foot along the rocks to the first spring (more like a waterfall). You put your face forward and let the forceful water release any negative spirits or obstacles from your life. Then, still holding onto your prayers and intentions, you leaned back on the rocks of the second spring and welcomed the healing powers of these waters. This was followed by a brief ceremony where some of the sacred water is offered to you to sweep over your head or drink and then sprinkled on you. We then placed a bit of rice on our third eye and on our throats.

In addition to praying for loved one and unconditional love for the whole world, I focused on a very special intention / prayer for my own life. When under the springs, I had a very deep “it shall be so” feeling – a huge release that extended from this lifetime into past ones. I was moved to tears and also to great joy. I also witnessed some of the locals being very affected by the ritual – similar to what I’ve seen on TV with some of the evangelists. Powerful indeed!

The nice thing about this place is that it was only rediscovered by the masses about 5 years ago, although it has been used since ancient times. We came at a quiet time – even better. I was told it wouldn’t be so quiet on a full moon. One of our guides, whom I recognized from the tooth filing ceremony, kept me company as I slowly made my way up the very long series of high steps back to the group. We chatted and I took pictures – catching my breath. I can walk on flat land for hours, but I’ve never been great with hills and steps. Perhaps when I get my Pitta into balance, that will change. Anyhow, he had heard about the place, but had never gone before. He said he would definitely take his family there now. There are several water temples in Bali – I’m scheduled to visit another one with my last group. These, however, are often very crowded with both locals and tourists. I’m so glad Nicole brought us here. It was an opportunity of a lifetime.

DRIVE-BY-SHOOTING – redefining the words

On our way back, our driver generously made a few quick stops so we could take pictures from the window and got out once to photograph the statue.  Mostly, however, I experimented some more with shooting from the window as we drove by, often quite quickly. The results are super grainy, but certainly good enough for viewing here. Those that were too blurry, I used an artistic filter on them, which was fun to play with. Plus, even if none had worked out, for me this was total play time. I have so much fun with the camera!

I always find out so much during our drives.  For example, large gatherings are not only temple ceremonies, but cock fights.  There’s a huge gambling problem here too – some men sell their land to gamble on the fights.  I also finally figured out what it is they sell in the bottles in front of convenience stores – I thought it was alcohol, but it’s gas for the motorbikes – sold by the bottle and refilled on the spot.  Another bad bit of news is that this miracle rice that allows for 3 crops a year is genetically modified to the point that rats don’t recognize it as rice and leave it alone when it’s in storage.  One unfortunate result, Nicole told us, is the increase in asthma in children and women dying in childbirth because of hemorrhaging.  I guess the higher prices at Swasti’s organic restaurant were well worth it…

LAUGHTER YOGA

Dominique Hurley_Bali_Swasti_IMG_6909Right as we got out of the car, a friend and I decided to go check if the Ayurvedic doctor took credit cards.  On our way there, however, we walked into Ambarashram, thinking that was the clinic, and found out that there was a laughter yoga class that had started 20 minutes earlier – perfect since one of my lifetime goals is to laugh more.  We decided to join, but thought it wise to use the facilities before laughing too much.  By the time we joined the 200 Balinese behind the ashram in the garden, they had already finished the laughter part (figures !).  I didn’t know this, however.  As I walked in, 2 men quickly made space and I sat on the grass between their mats.  I was so impressed by the turnout and gazed at all the bronze sculptures of inspirational leaders around the open-air garden: Mother Theresa, Ghandi, Mandela, and many more I didn’t know.  After the mini-lecture, which I didn’t understand, of course, but gave me a chance to simply take everything in, we did about 10 minutes of dancing, followed by about 45 minutes of yoga.  It was so sweet. I recognized most of the positions, but when I couldn’t see the leader or see what my neighbours were doing, the man on the left would tap me and make signs to help me understand what to do.  He was thoroughly astonished to see that I could do the full lotus position and alerted his friends to the fact – a bit embarrassing, but i was happy.  What I liked the most were all the poses that had me gazing up at the beautiful whispy white clouds in the sky – in those moments, I was alone with the Heavens and tears came to my eyes from the beauty of the whole experience.  This was a perfect way to follow up my time at the sacred healing springs.  Balinese people are truly welcoming.  They didn’t make me feel strange at all, even if, by the end, I was the only white person in the crowd.  I’m certainly open to such spontaneous blessings in my life.

BLOOM TRUE CLOSING CEREMONY

At 5pm on Saturday, our group gathered back in our painting area for a final sharing circle. This was a lovely group of women and Flora, Rachel, and Nicole did a fantastic job with everything. I wouldn’t hesitate to recommend one of Flora’s painting workshops (online or in person) to anyone at any level – total beginners to professionals.

At 7pm, we met at the restaurant for a delicious traditional Balinese feast, which was to be eaten with our hands.  I found out that the kitchen staff had been in full transition this past week, explaining some of the inconsistencies we experienced.  The new chef and his team certainly did a great job on our final night here.  We were also entertained with dance performances by very  talented local children (7 years old and up) and presentations by the staff. Some of these folks had been working hard in the gardens, kitchen, rooms, etc.  all day, so what a feat it was to then have to entertain us until past 10pm.

We saw most of the group this morning at breakfast and made our goodbyes, knowing we’ll meet again in our Facebook group.  I’m now ready for chapter 3 of my Bali experience.  I’m very grateful to everyone at Swasti Eco Cottages and every beautiful individual that formed our group – being here was a real blessing!

 

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Monkeys, Culture, and More Brave Intuitive Painting in Bali

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Abundant warnings leads to monkey fear:

It’s 4:30pm on Thursday – our afternoon off. I’ve come back to my room at Swasti Eco Cottages in time to witness the thunder and lightening show from inside. I had just been out for a walk down the street, to the very edge of both my comfort zone and Monkey Forest. This was my first taste of tourist-Bali. I had chosen not to visit Monkey Forest or even walk around it into Ubud as I had heard of both monkey and human attacks in the area – both leading to hospital visits and thefts of various kinds. I’m quite content to play it safe here. All of my classmates have already been into Ubud to shop, eat out, or even to get tattoos. I haven’t felt the need or desire to do any of these in town yet. I don’t feel I’m missing anything right now – perfectly content with how I’m choosing to spend my time here in the adjoining village of Nyuh Kunning.

Our cultural guide Nicole was asked to show our group the way on Monday and had a monkey start to crawl up her leg until a local man with a stick scared it away. She had been avoiding the place in fear for decades. I’ll admit I share in that fear and would probably attract such an occurrence because of it. Instead, I decided to stay at the hotel for a swim on that day. It was way too hot for me to go for a long walk at high noon. Call me chicken – a smart one though! I’ll add that I read on Facebook that someone from my 3rd workshop (visionary art one) had to go to the hospital earlier this week after being bitten. Monkeys will climb on you to steal your food, water, phones, etc., and a simple scratch requires a rabies shot…. so perhaps you can understand why I’ve passed up the opportunity.  Sorry, no great monkey shots.

Lunch on the edge:

Coffee & Copper is not the most relaxing place to eat with all the hubbub outside. Imagine a tiny dead-end street (where cars are concerned – motorbikes have a small but busy lane-way that bypasses the forest and goes to Ubud). The parking lot is big enough for about 6 cars, but there were at least 12 there and more trying to turn back after dropping off loads of tourists who wanted to pay to visit the monkeys (something locals think is crazy). Others may not even have noticed or cared, but I’m still a bit in hermit / ashram mode. One tourist parked her rented van right at the entrance of the lane and came in to eat – quite the commotion outside until I told her about it. Motorbikes were scraping by both sides of the van and some were getting a bit aggressive with it. I’m glad I don’t need to drive here – the fact they drive on the opposite side of the road would be the least of my worries.

Dominique Hurley_Bali_Swasti_IMG_6792From the restaurant, I could observe a few monkeys in the parking – the first ones I’ve seen. It’s baby season, and I’ll admit, they are really cute (although seeing them fight amongst themselves behind the fence as I walked back wasn’t very comforting). My classmates told me that an aggressive male came in Coffee & Copper the other day and stole the desert off their plate, growling and baring its sharp teeth. I therefore chose a table further back. At one point, I heard the waitress hiss a few times and take out a red wooden mask whose jaws made loud clacking noises, so I imagine there was a monkey coming in, but I didn’t see it. Effective.

Swarmed:

What I did see is a lone traveler – a woman about my age, but with tons of make-up and hair like Dolly Parton’s (but in black) – get swarmed by a throng of vendors. They kept shoving their wooden sculptures in her face and speaking loudly at her. I’d read about these and heard that some folks were happy to leave the country to simply get away from them and begging children. This was my first time seeing any in action. The tourist bought a beautiful dragon sculpture (which attracted even more vendors) and had a hard time getting to her hired car. She looked harried, but had her arms full by the time she got in. Both parties probably thought they’d gotten the good end of the deal. Interestingly, the vendors basically ignored me. I only got a “Buddha for a dollar?!” once and then was left alone. Maybe it was the wet hair under a Tilley hat, my hippy dress, my lack of make-up, or simple vibe of polite disinterest. All I know is that I was glad to have been left alone by both the monkeys and vendors. I did have a wonderful conversation, however, with a young artist, Dewa Artawan, who was painting fantastic pieces in an art gallery on the way. He invited me to return to the shop to paint with him.  That was nice.

Abundance:

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The lunch, by the way, was very good. The portion of red rice with garlic marinated chicken breast and loads of vegetables was bigger than at my hotel and the price much better. It’s not the $2-3 meals I had heard about, but still under $5. I had gone for a late lunch because before that, I’d had my 3rd massage – this time a mix of Mayan and Indian energy and body work to target the abdominal area / digestive tract (1 hour for $18). Two days ago, I had a lovely Thai massage. My body is appreciating the care and attention – and hopefully my eczema will improve.   After letting the coconut oil soak in for about an hour while I did the laundry in my bathroom sink, I had a wonderful swim. Once a day, at least!  There’s nothing quite like it.

Swasti Cottages– a truly Eco-friendly place:

This resort is doing a lot of things right for the environment. In addition to using salt in the pool (which my skin also appreciates), other examples I’ve become aware of is collecting rain water for their extensive organic gardens, cutting the grass by hand, giving guests cloth bags to avoid the use of plastic, using small refillable bottles for their organic shampoo and soap, recycling paper, plastic, and glass in each room, using cloth napkins in the restaurant and serving drinks with glass straws (very cool!), changing bed sheets and towels only upon request, and more I’m sure. Although the Internet service and restaurant have generated a lot of complaints in our group (which management has tried to address repeatedly), it’s quite the amazing place.

Balinese Cultural Afternoon:

On Wednesday, Nicole Lawrence took those who wanted to her friend’s house – or should I say her friend’s village. From the street, it looks like a normal household gateway (and it probably is). Behind it, however, there’s not only the family temple, but several houses where various relatives lives. It’s basically a family complex. There are also a few outdoor pavilions where people hang out, spaces for the pig (I had a nice moment with that pig!) and chickens, and green space for all the cousins to play. During my time there, I could really sense the importance of extended family bonds that exists here in Bali. Interestingly, however, families don’t eat together except for ceremonies. Food is prepared in each house’s kitchen every morning and people eat when they’re hungry. Although sit-down meals aren’t part of the culture, they seem to get plenty of together time. It was beautiful to watch everyone interact.

We were there to learn various crafts from this talented family. First, two of the girls taught us how to do a traditional dance. Fun, but very challenging! They perform at a local hotel every night. Later, when we were leaving, we got a glimpse of their elaborate preparations.

Several of the parents taught us to craft various offerings, an integral part of the Hindu culture here in Bali – they use about 100 of these a day, blessing their homes, properties, vehicles, temples, etc. It appears that there are plenty of young coconut fronds on the trees to supply each family year-round.

I’ve also seen the staff at the hotel walk around placing these everywhere, sprinkling them with a wet flower and burning incense in each spot. They’re also on the street in front of shops, etc. Sacred rituals are very evident here. Our taxi driver also had one on his dashboard. When folks don’t have the time to make their own, though, they buy them from door-to-door salespeople or at the 4am market. I’m sure it’s like knitting – you can get good enough to do it while watching TV (it took one mother 1.5 minutes to make a mini rice cake steamer pouch) – but as a beginner, I made plenty of mistakes.  No worries – the gods will still know how grateful I am.

After our craft session, we got to try their traditional instruments – the horizontal gongs (hear a sample on YouTube by clicking here). Great stuff. Now I know what’s making the music I hear very early in the morning around the neighbourhood.

Basically, though, we simply got to enjoy the company and the space with Nicole and her friends. Once again, I was grateful for this non-touristy experience.

After our visit, we walked to the most expensive hotel in the area and snuck down to their viewing area to see the rice terraces. Wow!

We followed that up with the world’s best ice cream (according to Nicole, and I’ll admit it was amazing!) and a lovely dinner at a traditional Javanese restaurant in Ubud (but not in the busy core). Afterwards, we walked behind the restaurant into their organic gardens to see the firefly show – advertised, but free. Nice. I certainly slept well that night.

Being Brave – Flora Bowley Style

Dominique Hurley_Bali_Swasti_DLH_9535Flora’s workshop continues to be great! After our first days’ themes of “presence”, “letting go”, and “self-love”, we had a day of “bravery”.  As usual, I was moved by some of the stories that some of the gals shared in our morning circle. What wonderful beings! It always feels good to be in a loving, accepting, authentic group. This is one of those and our workshop process has created the space to both express and honour that for ourselves and others.  It’s not just about painting – everything Flora teaches in her Bloom True course is as much about life as it is about what happens when you’re in front of the canvas.

If you’ll recall from my previous blog, everyone moved around the circle to paint on every canvas for the first few layers of the process – creating a space of openness, exploration, and total non-attachment.  This was done with a variety of tools in alternating layers of cool and warm colours, black & white, and so on – you can use just about anything really.  Take a look at some of the ones Flora used during her demo.

After that, we did more collaborative work,but with two people working at the same time.  Here’s Flora and her wonderful co-organizer Rachel Rice demonstrating – but on a fresh canvas.

This helped us to totally accept that anything can change at any moment. It’s so freeing when the painting isn’t yours and you know several more layers will follow. It’s all about getting in the flow and moving with what moves us without getting the mind too involved.  It’s also all about letting go of control.  Fun!

The funny thing is that when it came time for us to do it, my partner had gone and chosen the painting I had worked on last the day before.  We had been asked to keep one for the next day and let one go for the collaborative work.  I had let go (i.e. rejected) that one because I really wasn’t drawn to what I had created.  What an opportunity, therefore, to get past the “I have no idea what to do with you” to simply keep playing with someone else – complete exploration and letting go of control. The results were pretty interesting and when it came time to choose any canvas from that batch to keep working on for the rest of the week, I chose that one.  Ah, evolution…  This is where that painting got to by the end of Thursday.  I really wanted to practice one of Flora’s techniques using the sponge brush and whites…. I’m still struggling with using whites with my colours…. can’t say I like this right now, but I know it’s just part of the process. The nice thing is that I’m not tied to anything there and so the possibilities are still limitless.

When it comes to painting (and life), there are threshold moments that bring up fear and ask us to bravely move forward. Most paintings go through an awkward teenager phase – mine sure lived up to that today. I tried some new things in class and really embraced the idea that I’m not here to produce a finished piece to show you all. This is truly practice time – I may or may not finish anything this week or even here in Bali – and that’s OK. I’m just taking advantage of being in this group and having Flora to consult with when blocks come up or when I want to try one of her techniques that I couldn’t quite figure out during her e-course. I was feeling good about my umbrella and banana tree that I had painted from on-location sketches. When I turned it around, however, I decided to take a risk and turn the banana tree into a woman. A few layers later, however, I had created a total mess, sprayed it and wiped it down, creating a very muted painting – not my preference. I know that the bright colours on the next layer will really pop on the muted background, but by 11:30, I was too hot and I’ll admit, a bit discouraged even if I knew I was exactly where I was meant to be with this painting.  So I gave up for the day. I was brave and took a risk – I didn’t like the results. Tomorrow will be a brand new day. I know the awkward teenager will evolve. There are still limitless layers to go.

Flora’s painting is evolving beautifully. I loved what she had done yesterday with her painting, but it wasn’t edgy enough for her. Nothing gave her that spark – so she went in a completely different direction with it today– not to prove a point, but because it was what she was moved to do. I love the results of that too and now she’s feeling more interested in it.  It’s important to keep things interesting for ourselves in our painting process – or else painting becomes boring.  Again, she’s a great role model! To see with what ease she let go of what was to create something new by bravely exploring new avenues was inspiring. This piece, as for all the ones you’ll see here, are all works in progress.  Stay tuned for more.

Flora’s work in progress:

Some Classmates’ Work in Progress:

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Tooth Filing and Brave Intuitive Painting in Bali

Tooth Filing Ceremony:

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Dominique Hurley_Bali_Swasti_DLH_9316Wow! What an honour! Tooth filing is the most important religious ceremony in a person’s life here in Bali – more important than a wedding. It’s a coming of age ceremony that symbolizes the release of an individual’s animal nature (filing of the canine teeth) and sins, thus ensuring peace for the soul and reincarnation. I’ve read on some webpages that only family can witness the ceremony. You can imagine, therefore, how special it was for our group to be invited because Nicole, the cultural coordinator for Flora Bowley’s painting workshop, used to live here (on that property, actually) and is very good friends with the family. The father is the owner of a tour company that caters to German tourists and so there were actually a lot of foreigners there.

The ceremony takes a month to prepare and lasts several days. Because of the high expense, families usually wait until they can hold the ceremony for two or more of their children. The actual tooth filing is what we were invited to witness – it’s only about 10-15 minutes long and by the time we got there (and the time I took photographing the abundant visual stimulus on the way through the family’s entrance gate, temple, upper yard level, and down the steps past the crowd), I only caught the very end of the second daughter’s filing. She was no longer lying down, but seated and then carried out.

 

The eldest daughter later told us that the actual experience felt a bit painful, but mostly strange. This daughter had already been married for a few years to a man of a higher caste. She therefore had to have a special ceremony to bring her back down to her family’s level. At the end of the celebrations, she would need another ceremony to bring her back up to her husband’s caste. Although she visits the family every week, she cannot pray in her family temple anymore. The father had ensured, before she got married, that this arrangement would be allowed so that he could fulfill his tooth filing duty to his daughters once both were of age.

Our hosts and everyone there were very welcoming – I’d venture to say tolerant as we were sometimes like the paparazzi. I’m not sure if it’s because of the heat or the culture, but the atmosphere was very laid back. People sat around and chatted, answered questions, ate, etc. As is custom when visiting a temple, we all had our shoulders covered and had to wear a sarong (wrap around garment) – even if what we wore underneath was a long skirt. If you had a sash over your sarong, it was even more respectful. Although part of our group left before the daughters were all dressed up for another part of the ceremony, I stayed to see them come out of where they were being prepared. We al left, however, before the ceremony started, in time for a very quick swim before our afternoon painting workshop.

A few quick notes:

  • The temple was brimming with offerings, most made with the young fronds of palm trees. At the end, they will all be ceremoniously burned.

 

  • The most popular subject of conversation and photos was definitely the sculpture made almost entirely out of the parts of a pig – even those pretty lace flags at the front. The red parts, however, are either peppers or mini tomatoes.  Everything else came from the pig.
  • There were 12 priests involved in the ceremony. The high priest was extremely generous to allow us to photograph him – something we were told not to expect.

Flora Bowley’s Bloom True Ubud Workshop

Dominique Hurley_Bali_Swasti_IMG_6745We’re already half way through our retreat and I’ve been too busy experiencing it to write much about it (that and the horrible Internet service here at Swasti Eco Cottages has encouraged me to be more present).

 

As you’ve seen through the photos in the previous post, except for the Internet service and tiny portions at the delicious organic restaurant on site, the setting is ideal.

Opening Night:

Our group met for a lovely organic buffet on Sunday evening – more fresh vegetables than I had seen the entire week before. We’re all women living in various areas of the world – U.S., Canada, Thailand, Australia, New Zealand, the Netherlands, Belgium and Austria (that would be me). The restaurant looked beautiful and each table was decorated with individual gift bags (Flora Bowley designs) filled with goodies (paint brushes, a fan, a notebook, and more).   What a nice touch. After dinner, we headed through the organic garden to our painting area. The pathway was lined with candles and a circle of cushions with a beautiful altar in the center welcomed us into the space. After sharing a round of names and “truths of the moment”, we had a ceremonial letting go and welcoming ritual before choosing a hand-painted card for our week. I let go of any scarcity mentality (as per my last blog) and welcomed laughter. My intention is to reconnect to that playful side of myself this week. The card I intuitively picked said “Follow your breath”. It seemed very appropriate.

I fell asleep that night to the incredible concert of frogs, geckos and other creatures. Happy. Peaceful.

The Workshop:

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Most of the ladies in our group had already taken Flora’s Bloom True e-course (highly recommended). The workshop is following the same process, but doing so in community is quite a bit different. We’re doing a lot of collaborative work, from mandalas on paper to paintings on canvas. The process of having everyone paint on every piece for short periods of time through each step of Flora’s process is ideal for the practice of non-attachment. For the first two days, nothing was “mine” and so it was easy to be bold and brave and to let go of what each layer of paint offered. This course is all about making strong commitments and then being open to change. It’s all about exploring what’s on the edge of our comfort zones and not being attached to anything until much later in the process. It’s also about having a lot of fun while following our intuition. It’s an amazing process for both beginners and advanced painters.   Again, I totally recommend it, and Flora is simply lovely in so many ways – a great teacher. What we learn through her classes (and blog, etc.) is as much about life as it is about art. Some women here have truly had life-changing experiences because of her course. What an amazing role model. Plus she’s a great business woman and I’m learning a lot from her from that perspective too.

There’s so much more I could write about, but that’s it for now. Time for another great day.

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“Lighting the Way” – Dedicated to my Parents

IMG_6085It took nearly 6 months at the Vienna Academy of Visionary Art to create this self-portrait from visionary exercises, design, drawing, underpainting, layers of glazing, painting, and finishing stages.  Truly, however, it took me a lifetime.

As one classmate said, all paintings can be considered self-portraits.  This is the first time, however, that I have consistently felt like I was painting my essence, my journey. It is true, I usually wear flowing clothes and now have short hair…  that’s not the kind of self-portrait I mean.  Instead, it it is a visual representation of the sacred connections that have guided me all along my evolutionary path in this lifetime.

The Symbolism:

You may have read about the process and symbolism in several previous posts.  As a quick recap, it honours:

  • IMG_6082my Source/ God from where I have come and from which my roots continue to feed,
  • the various guiding spirits, totem animals, and angels that have accompanied me at different times of my life,
  • my inspirations (Nature, a sculpture of Psyche & Amore I saw at The Louvre as a child, the work of Klimt and Hundertwasser here in Vienna),
  • my Higher Self (the tree whose glowing spiraling branches covered in sigils continue to reach ever higher, leading the way)
  • the fruit of spirals, symbols of evolution, holistic growth; connectivity and union with deific and cosmic energies; and more,
  • my roots here on Mother Earth, and
  • the vibrancy of Love and Beauty (colour) that nourish my soul.

The Chosen Name:

For all of these reasons, I have chosen the name “Lighting the Way”, a name offered by Sherrill Miller in Grandora, Saskatchewan.  It captures the essence of my enlightened connections, of never being truly alone, and of the feeling of growth and expansion represented by this piece. Thanks so much Sherrill for that suggestion and to all those who participated – there were so many good names to choose from. I’m holding on to all your suggestions for future paintings.  Know that your contributions have inspired me.

Dedicated to My Beloved Parents:

I dedicate “Lighting the Way” to two very special people who have made my life and my life’s journey possible.  Thank you Maman et Papa! You are a crucial part of my root system here on Earth.  I take this opportunity to publicly thank you for having provided such a strong foundation for me to grow from. Your courage to follow your own paths, leading to your blessed meeting in Europe, has no doubt flowed into my blood stream.  I grew up thinking anything was possible and that I could shape my life the way I wanted. Tears are flowing from my eyes as I write this – tears of deep gratitude and joy. You respected my introverted, imaginative, and sensitive nature and didn’t discourage my solo adventures at such a young age (in a time and place where this was much safer than today). You fostered my curiosity and supported/encouraged my education and my dreams. You opened me up to the wonders of travel.  You were attentive to my needs in so many ways and nourished my creativity by allowing both my exploration and expression. You comforted me when the realities of the world were hard to bare and helped me face them when all I wanted to do was hide. Through your dependability, integrity, and equanamity, you taught me how to function in this world. You also provided a strong spiritual foundation – introducing me to God, Jesus and the Roman Catholic church – and accepted when my spirituality moved away from organized religion. Indeed, you’ve rarely tried to influence any of my choices, trusting me and my Guidance, even if my choices were so different from that of yours and most of your generation.  Truth be told, you loved me to the very best of your ability throughout my entire life – caring for my happiness with few expectations.  This too is part of my self-portrait – the roots that spread above and beneath ground. Thank you for the role that you have played in my life – when I say that without you I wouldn’t be here, I mean so much more than the obvious. Along with all those more evidently represented in this painting, you have lighted my way and continue to do so.  I love you!

(Oh yes, you also learned to accept my very different ways of expressing myself. 🙂  )

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