Tag Archive for: Dominique Hurley

Intuitive Sparks: AANL Painting Workshop

AANL-Dominique Hurley-DLH_1612What a great Sunday! Twelve women from the Art Association of Newfoundland and Labrador (AANL) came together to embrace the mystery of intuitive painting.   This was part of the free workshop series they offer to their members.

Layer after layer, their worlds evolved.  From playful mark-making to harmonizing, these explorers tapped into their creative source to expand their inner and outer worlds.

As you can see, everyone took their creations in very different directions. It was such a blessing to watch how people learned the principles of a painting approach and interpreted it with their own creative voice. That is such an important part of the learning process – it’s not about copying my style, but adding to their own repertoire of skills.  As you can tell, they all listened to what their canvases or inner guidance asked and let the creative sparks fly.  Note: some of these are still works in progress.

If you’d like to try this out by yourself, I’ve explained the whole process with lots of photos in my free Guide to Intuitive Painting.

Thanks ladies for a fabulous day of intuitive and creative play!

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“Side by Side” – the painting

Side by Side-Dominique Hurley “Side by Side“, 30″ x 40”, mixed media (acrylics, granular gel, light molding paste, glass beads, acrylic paints) on gallery-stretched canvas.   Go to my online shop for the Original and Prints.

Note: the photo does not show the reflective nature of some of the colours – this painting shimmers live and looks different from different angles.

The Final Day (almost):

What a blissful day on Sunday – I had decided to take a complete day off B-School to paint (and sing) – and that’s just what I did. I didn’t even check our 2 B-School Facebook Groups (they do get addictive…).

I started very early in the morning with Kirtan music (Sanskrit chanting) and switched to 50s and 60s music after lunch. I never did get around to taking my shower (not a common phenomenon!)…

After a late afternoon walk with a friend in Bowring Park (where I delighted in the endless parade of dogs of all kinds and sizes) and a bowl of healthy mung bean stew, I headed back to the studio and kept working late into the evening.

When I saw number 444 on my camera, however, I understood my guides were telling me it was enough for one day – it was already past 10pm and I’m usually in bed at 9. Plus, I was starting to get annoyed with myself – not a space to paint in.

The next morning, I woke up to the blizzard outside and my morning meeting cancelled, so I continued working on my painting for a little while before wiring and varnishing it.

The Creative Process:

I have had such an amazing time with this painting since the last Studio Sneak Peek. I invite you to join me in that creative process today. If you’ve missed the previous 2 posts and want to experience the progression from the start, you can access 1) “Love, Beauty & Mystery” by clicking here and 2) “Yinning and Yanning” here.

After finishing work on the couple, including the dots following the hairlines,

23_wip-Dominique Hurley-DLH_1533I continued working on the outer rings.  You’ll see the progression here – notice that I painted white under the orange because I wanted my orange to be nice and bright. It would have been much darker and muted if I had painted on top of other colours.  Also, I didn’t want to use the fluorescent orange I had speckled the base with because fluorescent paints aren’t lightfast. I may use UV resistant varnish, but I haven’t tested whether that would be enough to stop these accents from dimming with time.

I like to use the highest grade of professional acrylic paints available for a reason.  I’m reminded of the importance of that each time I visit my parents and see one of the faded paintings I made in the early 90s. It’s still beautiful, but some of the colours have disappeared. I’ve learned a lot since then.

Then I dove into Zentangles® in the corners.  I’ll confess, I was listening to one of the audio books for B-School that day and while my left brain was busy with that, my right brain got lost in the meditative trance of pattern making.  I had originally thought of just making a small pattern with ample space around the circle and around the edges, but as you can see, I got carried away and went all the way from the corner to the circle.

With dark against dark the circle lost its power. No worries. There are no mistakes in intuitive painting.  So out came the pearl and white.  I liked that and decided to balance the results with patterns in the opposite corner, but not as heavily there.

Great!  After looking at it for a while, I decided to grace the couple with a halo.  This representation of unconditional love naturally glowed. 🙂  I used zinc white for this because, unlike Titanium White, it’s transparent.  I went around the circle twice before adding rays of Titanium white lines.  Remember, you can click on an image to see it larger.

I then decided to empower the painting with one of the sacred sigils I developed in Vienna (learn how in a previous post).

How many times have I said there are no mistakes in intuitive painting?  Well, there aren’t.  After spending the afternoon working on these symbols (and even signing it), I realized that they pulled the eye in all directions.  The painting was much better (visually speaking) without them.  Just look at these side by side.  Do you see what I mean?

So I spent the whole evening starting the process over in those two corners- warm colour marks, followed by cool colour marks, followed by a gold glaze to unify.  Here’s where I understood advice I once heard – take notes.  I couldn’t tell which of my 3 golds I had used in the previous glaze…

It wasn’t quite right – too orangy and too flat.  I compared it to my early shots and much preferred it before.  So more mark-making to bring some of the magentas in and another couple of glazes – violets and golds (2 kinds).  In total, there are about 10 layers of paint on top of those two sigils, but if you look very carefully at the live painting, you can still see their texture – wonderful! Their energy is still there, even if their visual representation has been covered up.

What this last part process reminded me, however, is that it’s no use wanting to go back in time and try to recreated the exact same results.  Attaching to the way things were only brings misery (isn’t that so true in relationships as well?).

The painting has evolved. It’s different – it’s not really a case of better or worse. It just is – and I love it!

What about you?  Does this painting or process speak to you? How? Feel free to comment below.

Side by Side-Dominique Hurley

Title: Side by Side
Year: © 2015
Size: 30 “ x 40“ (76.2 cm x 101.6 cm)
Artist: Dominique Hurley
Materials: Professional acrylics, granular gel, light molding paste, glass beads & channeled energy work on gallery-wrapped canvas with painted edges. No framing required. 
Genre: intuitive painting, visionary art, energism art, spiritual art, inspirational art
Price: $3,700 CAD
Buy
Original and Prints.
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Studio Sneak Peek: Yinning and Yanging

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Studio Sneak Peek: Love, Beauty, Mystery

perfect senseMy newest work in progress started with a gasp as I was watching the movie “Perfect Sense”, one of the offerings on Waking Up to the Movies (see previous post).  I don’t know if I need to credit the director, David Mackenzie, or the cinematographer Giles Nuttgens, but when this shot came up, I paused the movie, apologized to my housemate, grabbed my iPhone, and took a picture.  All week I had been contemplating how best to represent the faces of a couple inside a circle. This was it! Isn’t that just the perfect shot?!

I worked on the drawing and stencil in my room while the repairs were being finished in my studio (new water pipes, ceiling, fresh paint).  I knew I wanted the forms to be raised, like in a cameo, so I needed to cut the stencil in something thick.  Unfortunately, the only large sheet of foam that I could get at Michaels was black (comes in a roll), which made tracing a bit tricky, but I managed with white transfer paper (which didn’t work very well on foam) and then a white paint marker. After that, I used an X-acto knife to cut it.

01_wip-Dominique Hurley-IMG_8916Originally, I had sized the design for a 24″ x 48″ canvas, but when I got down to the studio, a 30″ x 40″ canvas called to me.  I listened.  I invited my Guides and Angels to join me in the co-creative process, smudged myself, the canvas and the studio with sacred palo santo smoke, added some blessed water from the Chalice Well in Glastonbury to my spray bottle, created my intentions, and chose my initial colours.

Apart from the central motif, I had nothing planned for this painting.  I approached it similarly to how I describe the process in my Guide to Intuitive Painting.

This time I started with puddles of water and Golden High Flow acrylic colours.  I just wanted to play. Layers and layers of play as I massaged and moved colour and loving energy onto the canvas.

I know I “waste” a lot of very expensive paint the way I do things, but letting go of all that is definitely part of the creative process.

Once that was dry (which took so long, even with the hairdryer), I added layers and layers and hours and hours of mark-making. This is a truly meditative practice that brings such a state of inner peace. It’s all about being right here, right now. No planning, no knowing where it’s all going – I rarely do. Intuitive painting is all about loving the mystery.

07_wip-Dominique Hurley-IMG_8915Once that was dry, I added a very watery glaze of gold over the whole painting to unify it. Adding water to fluid gold paint by Golden Artist Colors Inc. releases the tiny mica particles that float, disperse and puddle. It’s magical to watch. Mica is a group of multi-layered transparent minerals that symbolically and energetically infuse the the painting and those in its proximity with awareness, love and compassion. Appropriate, don’t you think?

Last night, once the glaze was dry, I used a spatula knife to fill the stencil with 2 kinds of acrylic mediums. I used Light Molding Paste for her face and his hair and used Clear Granular Gel for his face and her hair.  I then peeled it back to realize that leaving the mouth and space behind him empty weren’t a good idea.  No worries, by this morning, the mediums were dry enough to put the stencil back on, and I filled those spaces with Glass Bead Gel.

I still have no idea where this is going, but that’s perfectly fine – it’s actually more fun that way.  I’ve already had all sorts of ideas while rebounding on my mini-trampoline and looking at it.  But I’ll wait until the mediums are dry before making any decisions. Although the molding paste will dry white, the granular gel and glass beads will be clearer (although I’ve never used them this thick before – we’ll see!).  I ‘m having visions of pearl, gold, and dark blue, but I’m not committing to that yet.

15_wip-Dominique Hurley-IMG_8929Well, now is the time for patience. I need to let that dry for the day, so it’s back to the books in preparation for B-School.

Are you loving the mystery?

CLICK HERE FOR PART 2

 

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New Painting: “The Holy Instant”

The Holy Instant-views-Dominique HurleyIntroducing:  “The Holy Instant”, 15″ x 30″, acrylics on gallery-wrapped canvas (no framing required) – SOLD

I keep thinking every next post will be a short one, but there’s a whole story behind this painting – one that started way before I painted it and continually evolved during the process. I’m sure it won’t end there either.

Fortunately and unfortunately, I got so much into the painting process that I forgot to photograph many of the steps along the way.  In the end, however, this painting has between 12-20 visible layers and countless invisible layers that I have yet to discover.

The Photo That Started It All:

I was at my housemate’s son’s girlfriend’s apartment for dinner one night.  Actually, she was renting it from one of her friends who happened to own two of my paintings – cool, eh?  It was a lovely evening – the company, the food, the atmosphere, the music.  I’m not sure how the technology worked, but I think the music was connected to the large flat screen TV on the wall that had a rotating wildlife photography slideshow on it. I recognized a few as famous shots.

A male red bird of paradise performing the practice of plumage display at a tree-top lek, where the males gather. The two central tail feathers, which are black and ribbonlike, have a plastic feel. Credit: Tim Laman

A male red bird of paradise performing the practice of plumage display at a tree-top lek, where the males gather. The two central tail feathers, which are black and ribbonlike, have a plastic feel. Credit: Tim Laman

There was this one photo, however, that literally took my breath away.  I had a difficult time being present with my hosts every time this image appeared on screen.  It was as if it was sending vibrations of pure love through every cell of my being, elevating my spirit beyond the here and now to a space of timelessness.  Try navigating that while trying to hold dinner conversation…  I finally went up to the TV and waited for it to reappear again so I could take a picture of it to take home with me. I knew I wanted to paint it. I seem to have 3 themes going in the studio: spirit trees, messenger birds, and stylized humans having spiritual experiences.

It was only after I had finished the painting and put Google magic to work (using the words “red, yellow, bird, long tail feathers”) that I found out that this was a red bird of paradise photographed by Tim Laman in the rain forest of Papua New Guinea as part of a National Geographic project.  What would we do without Google!

Personal Symbolism:

The Holy Instant-Dominique HurleyAs I was painting it, it dawned on me why the image may have had such a powerful effect on me.  I kept feeling the presence of the Holy Spirit and figured out that something about this bird reminded me of the many images of a radiating dove with its wings spread open that I had often seen in school or at church as a child – the image that often represents the Holy Spirit.

Before I had figured that out, however, I also felt a Christ-energy coming from it.  Although the head was down, it awoke in me the image of Jesus on the cross with his arms spread open. That wasn’t quite it though. As I was connecting to the energy, it occurred to me that it was more from the story after that story (not of the crucifixion or even the ascension), but when he came back down again.  There was this whole Heaven to Earth movement going on, a download of Divine Energy that I could not begin to describe (although I have done my best to do so…).

This is the kind of space I was painting in this past couple of weeks, layer after layer.  The fact that the main tail feathers ended up more like a pear-shaped mermaid’s tail is somewhat of an accident. I guess I subconsciously wanted or needed to put a bit of myself in there – the pear-shaped part, not the mermaid.  That brought the union of Heaven and Earth even deeper into the creative process. Then to frame all that with the two long ribbon-like feathers that were almost heart shaped was perfect – especially since I finished it on Valentine’s Day.

Cultural Symbolism:

Of course the name of the bird was perfect for what I’d been experiencing – bird of paradise. I was not surprised, yet totally thrilled to find out that it has had similar symbolism attached to it for two thousand years.  My Google research revealed that it was rumoured to have come from the Heavenly realms, from paradise, and symbolized the miracle of life on Earth.  The bird of paradise brought with it closeness to God or even favor from God.  And as I found on on many tattoo websites,

Because the bird is usually depicted in flight, those persons wearing a Bird of Paradise tattoo may be announcing to the world that their psychic kinship is with beings who prefer to ‘rise above it all.

It also has a deep spiritual significance for all peoples of Papua New Guinea, who use their feathers and dance their dances to get back the part of themselves that living takes away – a flying spirit.

The Name: “The Holy Instant”

The first name that came to me for this painting was “Holy Spirit”, but I changed my mind as I was listening to my friend read from her study group’s notes on A Course In Miracles (a unique, universal, self-study spiritual thought system that teaches that the way to Love and Inner Peace is through Forgiveness). You may know about the Course in Miracles through the work of Gabrielle Bernstein and Marianne Williamson (who will be in Ottawa on April 30, in Montreal on May 1 and here in St. John’s on May 4th – see details here). As my friend read about the holy instant, I recognized that expansive feeling inside me when I first saw the photo.

“The holy instant is a miniature of Heaven, sent you FROM heaven. …  in the absence of thinking, in the absence of reasserting the magnificent frame around the limited tiny miserable experience of life that you’re having, instead of that, you simply say, “Father, Holy Spirit, what is the truth here?  What is God’s truth here?”… Without that huge frame and all the meanings that you have all agreed to, there’s nothing to stand in the way of the direct experience . . . the simple direct experience of the divinity of everything and provide yourself the avenue for Awakening….The holy instant is a miniature of eternity. It is a picture of timelessness, set in a frame of time.  . . . so the whole of Heaven lies in this instant, borrowed from eternity, and set in time for you.” ~ Paul Tuttle channeling Raj (another name for Jesus), June 18 2011

Doesn’t that sound like what I was trying to describe?  I wouldn’t describe my life as a “limited tiny miserable experience”, but in comparison to living in the holy instant, I get what he’s saying.  My friend was reminded of that passage as I talked about the ornate frame of tangle patterns that I had painted outside of the quiet radiant space in which the bird of paradise existed.  I’m not sure if you can see it, but it all just fits and so this became “The Holy Instant”.

The Making Of:

As I mentioned, I worked on this over the span of a couple of weeks and layer upon layer. I don’t have many photos of the creative process, but have included what I have.

 

And here are a bunch of detail shots from the finished painting.

The cool thing, as always when I use Golden’s interference paints, is that in certain lights and from certain angles, you cannot see the radiant iridescent blue glaze on the left side of the canvas and violet on the right. The painting transforms as you move. It’s truly magical. That’s why a photo of many of my paintings cannot yet replicate the experience of being with an original. Still, I tried to capture it here for you.  These are not before and after shots, but photographs taken at slightly different angles.

The Holy Instant-sideview-Dominique Hurley“The Holy Instant” – SOLD
15″ x 30″
Acrylics on gallery-wrapped canvas
(no framing required)

Go to my shop to see all available paintings & reproductions.

What do you think?

Or, more importantly,

how do you feel as you look at it?

Feel free to comment below.

 

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Life By Design: Right Livelihood

Coming Forth-Dominique HurleyIt’s 7am and I’m still under the covers.  I’m rarely still in bed at this hour, but I’m here because I can be, with my computer on my lap (that’s why they call it a laptop, isn’t it?!). I haven’t blogged in a week, although I’ve written a few posts in my head… so I thought I would start here this morning.

There’s a snowstorm outside that has already shut down most of the city. The buses aren’t running and campus is closed.  The soundtrack is dramatic – muffled through the walls and windows as if it there was a space war in the next theater. People all over the city have stocked up on snack food and are looking forward to this first real Snow Day in St. John’s. Of course, they’re hoping the power stays on, so that they might watch a few movies from the comfort of their homes.

This is really just another day for me.  I can go days without leaving the house except to feed the ducks in the back yard.  I’m either at my computer working or painting in the studio.  I love it!  I schedule art deliveries and meetings only once I’ve consulted the weather forecast. Generally speaking, my days flow based on inspirations, moods, and deadlines – and that’s such a blessing.  My challenge is not to work from morning til night, 7 days a week…

What Works For Me:

What I’ve learned though, is that I’m a project worker.  I love focusing on one project at a time and giving myself completely to it for short periods of time – without any distractions. I’ve always been goal oriented…. too much so at time and I can forget to  enjoy the journey.  Anyhow, working from home is perfect.  Once I’m in the flow, I can work with ease and efficiency.  I’m so much into what I’m doing that I’m surprised to look up and see that it’s already dark outside.  The Flow is such a wonderful place to be!

For example, I just completed a 100-hour curriculum development project for Memorial University.  The English as a Second Language Department hired me to develop three thematic units for their summer school.  It was a highly creative and interesting project based on 3 significant chapters of Newfoundland history.

I had requested this contract because I correctly assumed that art sales would be slow right after the holidays. The most challenging thing about being a full-time artist for me is that lack of steady predictable income… I knew, however, that the energy and time required to teach in the academic program this term was not in line with my soul calling to devote myself more fully to my art.  So this project was perfect.

I worked from home when I felt moved to within a 2-month period. I sometimes put in a 10-hour day, but then skipped a day or two to paint or worked on it for only 2 hours when I had to run errands.  By the end, I had a huge binder filled with highly detailed instructions and fun, success-oriented learning activities for 3 levels of learners. I had created something tangible that would make a difference for both the teachers and students in summers to come.  That felt very much in line with my life’s purpose.

Could I sustain that kind of energy or focus all year?  Probably not.  I’ve discovered that I like highly creative projects that have a clear beginning and end – not too far off in the future.  It was the same with teaching – the more creative input, the better. The shorter the term, the better.  I like 5-week courses. Twelve weeks stretched on at times.  The idea of having the same class year-round like regular school teachers do never appealed to me.  I love teaching and am good at it, but being an introvert, it takes a lot of my energy. I work better alone, from home.  Balance on a yearly basis vs. a daily basis is also good.

Precious Moments-Dominique HurleyQuestions:

What kind of work environment do you thrive in? Alone from home? On your computer while traveling? With a lot of people in an office that’s constantly buzzing with activity?

Do you prefer routine, planned variety, or constant surprises?

Are you a 9 to 5er with weekends off? Or do you like early morning or late night shifts?

Do you need the security of a regular paycheck? Do you prefer the uncertainty but possibility of limitless income through entrepreneurial motivation? Or do you need a little of both for peace of mind?

Do you like working year-round with scheduled holidays? Do you prefer contract-based work that leaves you free certain months of the year – whenever you choose?

What are your needs in terms of income, social contact, mentorship, time off, etc.?

These are all good questions to ask as you consider how to live a life on purpose and earn a living.  Although I feel very strongly called to be an artist full-time right now, I have to carefully consider how I can sustain that. My non-business expenses are pretty low as I live a simple life, but my peace of mind / security needs are maybe higher than some.

Professional Guidance:

I’m about to start a 6-week free training program with the Newfoundland and Labrador Organization of Women Entrepreneurs (NLOWE) to explore different avenues through which I can grow my business.  I’ve spent hours listening to entrepreneurial and arts-business coaching podcasts to keep me in the right frame of mind despite my fears.  I’ve followed inspiration to put grant requests and business proposals together and to make contacts within my community.  I’m in the process of finding clarity for my business as my right-brain intuitive Spirit-led self harmonizes with my left-brain common sense action-oriented self (that’s the goal anyway).  It’s a work in progress and requires patience and determination.

Working with a coach at NLOWE has already been so fruitful in terms of questioning and clarifying.  I’ve also put my name down on a waiting list for a mastermind group.  They also offer many networking opportunities, which have helped me become aware of my triggers around events where people can be inauthentic and in “getting” mode.  As the world is a mirror, it’s helped me re-evaluate my own way of being during such events.  Although I can be a great leader and have no trouble talking to large crowds, I can be very uncomfortable in social settings.  This growing process can be tough, but that’s what we’re on this planet for, so I’m open to it – just asking to do so with ease and grace instead.  My coach advised me to seek my like-minded community, even while I’m in hermit mode , but with the goal of doing research.  “Go out there and find out what their needs are and how best you can serve them through your art and inspiration”.  Just changing my frame to that from “Let’s go find buyers for my paintings” really helped me stay in a space of authenticity, last night, for example, when I went to a local Meet-Up group on Spirituality & Metaphysics.  Although part of me just wants to stay home and paint, I am grateful for all the resources available to me at this time as I find clarity on my path.

The Path of Discovery:

This isn’t something I’ve just jumped into. My career path has helped me answer many of those questions above.  I’ve discovered through experience what works for me and what doesn’t.  The unstable contractual nature of ESL teaching helped me become more comfortable with not knowing (in terms of schedules, salary, etc.).  I came to fully appreciate the choice it gave me every few months to accept a contract or spend the time learning or painting.  And when circumstances chose for me, I learned to accept that that was meant to be – it was in line with my Highest Good as that is what I always pray for. I then started looking for the opportunities in that.  It also taught me to live debt-free and have an emergency reserve put aside in a bank that I don’t use for anything else in case I’m completely without income for a few months.

All is One-Dominique HurleyAt 48, I’m still figuring out what a Life by Design looks like – for now and the near future. In the past, traveling around the world and across Canada teaching English was perfect.  Being a student at various times in my life was also perfect.  Always, however, the art and inspiration have been present.  My job right now is to figure out how I can best serve my community and if/what/how I can earn a living from that.  It’s all part of exploring and expressing my love of beauty and the beauty of love.

Divine Union-Dominique HurleyP.S.  No matter what happens, I love creating and sharing.  I may not be reaching a lot of people yet through my own social media platforms, but I experienced the power of it yesterday.  Girish, a famous kirtan singer (Sanscrit meditation music) posted my painting “Divine Union” on his Facebook Page (I have no idea how he found it – the magic of social media) with a quote by Marianne Williamson.  This is quite amazing as I had spent the morning pairing some of my paintings with quotes by this spiritual teacher coming to St. John’s in May.  Coincidence? I think not.  Anyhow, within 13 hours, 890 had Liked it and 563 had Shared it, meaning that all of their friends had seen and potentially shared it.  I may not have made a penny from this painting yet, but it’s out there touching and moving people. I can feel the Great Creator working through me.  I have tears of joy just writing that.  I know I’m on my path and I know that the Universe will support me as I follow that call.  In that, I trust.

I will keep praying for Guidance as I refine the Work aspect of my life as a spiritual being having a human experience.  Indeed, I will keep my heart set on what the Buddhists call Right Livelihood on the Eightfold Path.

May your Work fulfill you and serve others as you create your Life by Design.

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New Painting, New Teacher

Flight of Fancy 2-Dominique Hurley-Introducing: “Flight of Fancy (2)” – 12″ x 16″ – acrylic on canvas

What a process! The last couple of days were as much about the spiritual process as they were about the painting process.

I’m very grateful to this painting for all it had to teach me during this period during which I’m refining my business plans and vision.  I’m also grateful that my first painting in this series, “My Prayer For You“, was created with such ease and grace because that gave me the strength and confidence to experience what I did through this one.

It all started with the intention to create a few small pieces for an out-of-town gallery that will carry my work this summer.  The owner had mentioned that the pieces that do well are those geared towards their extensive tourist market looking for Newfoundland memorabilia.  Painting towards market demands certainly isn’t my usual approach, but I was open to exploring it as earning a sustainable income from my art is very much on my mind these days.

P11Mirage_Dominique HurleyI started with watery layers of colour sprinkled with sea salt (appropriate for life here on this island in the Atlantic ocean). The salt can create beautiful effects – like on “Mirage” (on left), the gallery owner’s favourite piece in my collection.

But that didn’t work.  It created a mess.  That’s not usually an issue because I usually build up layers, but because of all the caked-up salt, I put the whole thing under the tap and scrubbed the canvas clean before the paint dried.

That was my first sign that I should let go of others’ expectations (and some of my own too – such pressure!).

So I started again – letting the first watery layers work their magic and dry.

I love the mystery and co-creative energy in this technique. While contemplating the results, I saw all sorts of creatures come to life, including 2 birds and a dolphin.

I then used zinc white (transparent) to outline those figures and look for more, like fish, whale tales, and birds.  This is something I still find challenging, although it’s the basic technique I learned in Vienna.  Oh well.  It didn’t matter – I was starting to let go of what I wanted it to be to explore what it could be.  That’s when I decided to cover all the transparent white with opaque white designs. I then glazed over those and went back in with teal and crimson accents.

By the end of that first day, however, I was at a loss again. I felt discouraged. In my prayers that night, I gave it up to Spirit and asked what else that painting might have to teach me. Total surrender.

I woke up 8 hours later with a message coming in loud and clear: “Cover everything but your 3 main characters in white dots”.  I was open to a meditative exercise and so gladly delved into dot-making. By the end, I felt totally relaxed. The dolphin looked truncated though, and so I covered it too.

The more I let go, the more Spirit guided me.

The minute I put it on the wall to photograph that step in the process, the minute I got the next instruction.  One step at a time, when ready.  All I had to do was trust.

Gold dots in the secondary features. Red and black dots to add swirls. Paint around those with black and teal to add contrast.  Go in with your 3-D paint to add even more layers and swirls.  Add the final jewels in ruby crystal gel.

This painting had very little to do with the final result. It’s not about judging whether it’s good or bad or appropriate for a gallery geared towards tourists.  This painting is all about being in the moment, listening to guidance, trusting, and loving what is.

It’s about allowing and accepting.

Once again, I’m so grateful to be reminded that my studio is my sanctuary – the place where I create for myself first and foremost. If that in turn serves someone else, wonderful! How that fits into a business model, I’m not quite sure yet.  Having said that, this was such a useful spiritual and business exercise as I continue to ponder some of the questions I was asked during my first consultation at the Newfoundland and Labrador Organization of Women Entrepreneur (NLOWE).

I’m not putting limits on what and who I create for, of course. But sometimes, it’s necessary to let all that go for the lessons to be learned within the creative process itself. Art is very much a part of my spiritual practice – it’s my teacher, my mirror.

I chose the name because of the birds and the fact that it’s highly decorated (on a literal level), but also because of the meaning of this idiom: “a soaring mental journey above or beyond the normal everyday world”.  That pretty well describes my experience.

Flight of Fancy (2)” – 12″ x 16″ – acrylic on canvas – SOLD

Go to my shop to see all available paintings & reproductions.

Flight of Fancy 2-Dominique Hurley-

 

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New Painting: “My Prayer For You”

My Prayer For You-Dominique Hurley

Introducing “My Prayer For You” – 9″ x 12″, acrylics on gallery-wrapped stretched canvas  – SOLD

Go to my shop to see all available paintings & reproductions.

I started with layers of dark blue and purple washes before taking my homemade snowflake stencils out again – those I created for “Divine Union“.

I had been looking forward to playing with those some more.

This time, I used iridescent paints to create the designs in the four corners, in different colours, overlapping each other. I then spent hours decorating these with dots before adding the fifth stencil on top in blue.

IMG_8834I then got on my rebounder to dance a few songs while contemplating it, asking how it wanted to evolve.  That’s when I saw in my mind’s eye the little angel that my housemate Orinda has on the kitchen table.  The day before, she had put it on the Canadian Tire flyer to point out the table on sale for me.  So I went to get her (the angel, not Orinda) and kept sketching until I had stylized her in my fashion.  From there, I traced her onto the canvas, painted her, and decorated her.

The cool thing about Golden Interference paints is that they change colours or appear/disappear depending on the light / angle.  If you look at these two photos below, they were both taken at the final stage of the painting.  You can’t see the blue iridescent shadows on her lap and in the creases of her dress in the photo on the left.  But they appear on the photo on the right, photographed from a different angle.  Cool eh?

As I looked up from the other paintings I’ve started working on, I would see her on the wall and smile every time.  She just filled my heart with joy.  She emanates with a simple iridescent beauty, and her prayers are filled with a love that feel quite palpable to me.

Can you feel it?

IMG_8827P.S.

It felt so good to be painting again this weekend after a couple of weeks of working at the computer.  I had a business proposal, grant submission, guest blog post, newsletter, tax return, and curriculum development project to work on. There’s so much more to being an artist than painting…

There’s a new addition in the studio. I purchased a 6-foot table that folds in half for easy carrying / storage. Although I’ll still gladly sit cross-legged on the floor for the first very watery layers of some canvases, I’ve learned to be more careful about my posture. I don’t want to repeat last year’s back issues.

Go to my shop to see all available paintings & reproductions.

 

 

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Studio Sneak Peek: From Seed to Tree

Jan 16scc reading
Wow! So much has happened in the studio since my last sneak peek – including about 30 hours of painting. Bliss! But first…

Time in the Studio:

Friday was the end of the online Thriving Artist Summit.  Over the past 2 weeks, I listened to 24 different successful artists talk about various aspects of the life and business of arts.  It was inspiring, educational, and ensured that I spent time in the studio every day, even if I had other projects on the go.

Guidance:

This is the Spirit Calling Card reading I got on Friday morning – the last day of the summit.

Did I ever have fun with that message from my Guides in my Morning Pages (3 pages of automatic writing – as taught by Julia Cameron, whom I mentioned in my Life by Design: Creativity post last week). Fun! Fun! Fun!  What would a direction of pure passion and miracles look like for you?

Large Snowflake:

This is where we left off in my last Sneak Peek.  I needed the couple to stand out more, so it was time to work inside the large snowflake behind them. I only worked in mid and dark tones as I didn’t want anything light to compete with the tree that would be painted on top.  At least that was the plan until I did the outer edges in silver dots :-).  Couldn’t resist.

More background:

I then worked on adding more patterns to the background, at the top and along the sides.  My overall purpose was to darken the whole background so that the tree would stand out more. I kept some of the original pale layers showing as a representation of background snow. I love the mystery, texture, and layers of life that these patterns represent.

Sacred Geometry:

I then worked on the bottom circle that the couple is rooted to. These aren’t necessarily distinguishable in the end, but that’s not what was important.  I simply wanted the energy of these symbols to infuse the image.  They’re all about the sacred geometry of the creation of physical and spiritual Universes.

The circle – Wholeness, Supreme Spirit, One God

07Dominique Hurley-wip_1206The Yin Yang –  male/female aspects of the Great Spirit, dark/light, matter/spirit, passive/active, perfect balance, harmony.  “Yin and yang can be thought of as complementary (rather than opposing) forces that interact to form a dynamic system in which the whole is greater than the assembled parts.” Wikipedia

08Dominique Hurley-wip_1209Vesica Pisces – sacred geometry used in religion and spirituality for thousands of years to represent a source of immense power and energy. It’s also

  • an opening into the mysteries of higher consciousness
  • the seed of the tree of life and basic motif for the flower of life,
  • the intersection of spiritual and physical,
  • creation/ birthing/ yoni/ Goddess
  • two becoming one
  • a symbol for Jesus Christ (the fish shape in the middle).

I used to wear a  vesica pisces pendent, a stylized version of the Chalice Well cover in Glastonbury, a place I feel drawn to, but haven’t visited yet.  And it wasn’t until after I completed the overlapping layers and was contemplating it that it also reminded me of wedding bands.

09Dominique Hurley-wip_1211 The Roots:

I woke up excited and scared on Saturday morning, knowing I was going to create the tree that day.  After spending so much time on the base layers, I didn’t want to ruin my painting. Then I remembered what I teach – there are no mistakes, just more layers. Play, have fun, take risks, stretch your comfort zones, and do something everyday that scares you.  I then chose to let go of the “scared” and keep the “excited”.

DLH_1225So I used my new giant compass (sticking the end in my eraser not to make a hole in the canvas) to draw a circle for the overall shape of the tree. (Thanks to everyone on Facebook who shared their shape preference.)  I then used my favourite brush to paint an intricate series of spiral roots: symbolic of holistic growth and union with the Divine.

10Dominique Hurley-wip_1228Later, after I had completed the tree, my housemate commented that the roots weren’t translating as roots to her, but more like lace.  Thanks to Orinda’s feedback, I later added another layer of roots that better mirrored the branches of the tree more.  I liked the improvement.

11Dominique Hurley-wip_1248The Tree:

As per my usual style, I wasn’t precise about the symmetry here.  I free-handed branches that joined the couple to the overall circular shape. There wasn’t much planning here.  The top kept calling to reach upwards more, so I actually incorporated a bit of the two designs I had been contemplating.  I can see where a little more precision could have been nice, but I also see that life is messy at times and letting go of perfection is such a blessing. This tree simply grew as it was meant to grow and I love it!  After a few layers of white, I used a new dark blue below the branches to add contrast and to simplify the foreground over such a busy background.  I did the same for the roots and figures and just kept playing with that.

12Dominique Hurley-wip_1250Dots:

I then spent hours dotting the circle, and adding ice/snow crystals to the branches in silver, pearl, and gold.  I have long been a fan of dots on my artwork, but I have fellow artist Fay Prince to thank for passing on her tip about using a stylus to make them.

As per usual, the photos don’t do the piece justice, but here’s a summary of its recent evolution.

This is still a work in progress… but

I received an email from the Craft Council of NL looking for submissions for a special February exhibition entitled “All Kinds of Love’.  When space permits, they take a few pieces that fit more into the visual art than craft arena.  Part of me would like to submit this piece for consideration, but like with any gallery representation, I hesitate as the gallery keeps a sales commission.  They do attract the crowds though, and the exposure would be great.  Tough decision.  But if anyone is already considering this piece for themselves or as a gift, please let me know.  I will reveal the final piece on Wednesday.

 

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Life by Design: Creativity

Dominique Hurley Art & Inspiration Quote Series

“Sun Flair” from my “Sacred Earth Journey” photo album

We are creators – many believe created in the Image of the Great Creator.  Whether predominantly left-brained (analytical, logical, objective) or right-brained (intuitive, creative, subjective), human beings are creative by nature.

I believe that we are like drops of water which can become one with the ocean when in the creative flow.  We tap into something greater than ourselves, becoming a channel for Life Force – connecting to the power of being truly in the moment, in the now.

I feel that when I get into a space of creativity, I open the gates to the flow of love and energy that expresses itself through me in a unique way.  It’s like a refreshing stream that has me totally focused on the present. There’s no space for regret about the past or worry about the future when I’m in that flow.  Instead, there’s a deep peace, a slowing down, a relaxation, a meditation… and lots of play!

I can reach that very fulfilling state of I AM when painting or photographing in nature, filling my eyes and heart with the wonders of the world.  I can also reach that state, however, when I’m designing original lesson plans for ESL classes. I’ve discovered that calling myself a painter is much too limiting. I spent years without painting and was still creatively fulfilled when I was exploring photography or taught in programs where I was completely free to design my own curriculum.

What about you?

Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage – or for that matter, in a homelier way, picking out the right fabric for the kitchen curtains, which is also a creative act.    Julia Cameron

There are countless ways to tap into your creativity. You don’t have to be an artist to be creative!  There can be as much creativity involved in getting dressed, cooking, software development, scrap-booking, inventing things, decorating your house, landscaping your yard, organizing an event, making love, blogging, knitting, building a shed, etc. You get the idea.

Dominique Hurley Art & Inspiration Quote Series

“Frosty Magic” from my “Frosty Morning Magic” photo album

The important thing is to play, experiment and find your creative outlet.

Even though the arts called to me strongly, I went through my entire high school program without finding a medium that really appealed to me.  It wasn’t until later, when my uncle gave me Christmas money to spend in an art store that I discovered the world of acrylic inks and used them in ways the sales clerk didn’t think “was right”.  Well, I’m still doing it and so are plenty of others now.  I found a mode of expression that brought me great joy, and I’m so glad I kept seeking until I found it.

It’s Worth It!

I’m not sure if I was born predominantly left or right brained.  I sure spent a lot of my time on my own in the imaginary and spirit world as a child. This makes me think that I may be predominantly right-brained.  I’m grateful though, that society trained me very well in its western hemisphere ways, in which left-brained skills are highly valued. I was very successful at climbing the recreation career ladder in community, municipal, provincial, and then national job positions from the age of 15 until I reached my dream job right out of university.  Those skills still serve me very well and will no doubt help me succeed as an artist.  Having my left and right brain work together in harmony, however, was my challenge. They were at war for years – not very peaceful in there…

The cost of favouring my left-brain to the point of completely ignoring my right-brain were pretty high though.  I wrote the article Creatively Becoming Whole for the magazine WhoLife in 2009, describing how I had put my creativity on hold because my left brain was working overtime working for an amazing spiritual photographer who needed a whole team of left-brained workers to keep up to his creative flow. I am grateful for that blessed opportunity – I have no regrets.  But I have learned more about my needs.   It was fun to reread the article this morning – and to see some of my older paintings. At the time, I wrote that creativity provided me with a medium for aesthetic exploration, an outlet for emotional catharsis, and a platform for personal and spiritual growth.  That is still true today, and I pray that I’ll never choose to shut the door on it again.

Where to start?

If you’re not sure where to start, think back to the things that brought you pleasure as a child.  Or walk around an arts & craft store until something strikes your fancy. You can also seek out programs that help you reconnect to your inborn creativity.  I recommend Julia Cameron‘s work.  I’ve used a couple of her books at various stages of my life to do just that.  My favourite is “The Artist’s Way: A Spiritual Path to Higher Creativity”.

“Most of us are not raised to actively encounter our destiny. We may not know that we have one. As children, we are seldom told we have a place in life that is uniquely ours alone. Instead, we are encouraged to believe that our life should somehow fulfill the expectations of others, that we will (or should) find our satisfactions as they have found theirs. Rather than being taugh to ask ourselves who we are, we are schooled to ask others. We are, in effect, trained to listen to others’ versions of ourselves. We are brought up in our life as told to us by someone else! When we survey our lives, seeking to fulfill our creativity, we often see we had a dream that went glimmering because we believed, and those around us believed, that the dream was beyond our reach. Many of us would have been, or at least might have been, done, tried something, if…
If we had known who we really were.”

What appeals to you?  How can you be more creative in your life – both at work and at play.  Creating a Life by Design is one that involves creativity – in your own unique way, with your own unique voice, as you connect to something greater that is calling to your heart and soul.  May you truly enjoy your creative Self!

Dominique Hurley Art & Inspiration Quote Series

“Mystic Vision” from my “Frosty Morning Magic” photo album.

 

 

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